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Watch We Bought a Zoo Online Free With Streaming Quality

Movie: We Bought a Zoo

Release Date: December 23, 2011

Studio: 20th Century Fox

Director: Cameron Crowe

Screenwriter: Aline Brosh McKenna

Starring: Matt Damon, Scarlett Johansson, Thomas Haden Church, Patrick Fugit, Elle Fanning, John Michael Higgins

Genre: Drama

Official Website: WeBoughtaZoomovie.com

IMDB Rating: 7.1

Story: It’s that pronoun “we” in the title that tells you most of what you need to know here: director Cameron Crowe’s first movie in six years is decidedly, dependably, and definitively a family affair.

We Bought A Zoo, which may look frivolous on the surface, is an offbeat portrait, and a comedic one at that, of the way a husband/father and his two children come to grips with the devastating loss of their wife/mother.

Matt Damon stars as Benjamin, a depressed widower whose wife died six months ago and whose sullen son has just been expelled from school.

It’s time for a change of scenery, so Benjamin quits his job at the Los Angeles Times and starts househunting. He uses his inheritance to move to the Southern California countryside, hoping to launch an adventure and make a fresh start with his two kids.

And he’s able to do just that because the house he finds just happens to come with a dilapidated zoo — the Rosemoor Animal Park — sitting on its 18 acres.

As for his two kids, well… uncooperative 13-year-old Dylan (Colin Ford) resents being yanked out of his life and away from his friends, but Dylan’s adorable seven-year-old sister, Rosie (Maggie Elizabeth Jones), is all for the move, considering the prospects of all the pets she’s about to have in her life 24 hours a day.

Rosemoor Animal Park houses a couple of hundred animals and a loyal, unpaid staff, but it’s been closed for two years. So Benjamin decides to put enough money into it to get it up and running again and, in the process, put the underemployed staff back on the payroll and save the animals from being destroyed.

The bare-bones plot, nearly described in its entirety by the film’s title, has to do with the staff getting the renovated zoo through an inspection so that they can open for business, while Benjamin breaks through to his unhappy teenage son.

Scarlett Johansson plays the head zookeeper, who’s skeptical about Benjamin’s level of sincerity and commitment; Elle Fanning, Patrick Fugit, and Angus MacFadyen are zoo staff members; John Michael Higgins is the suspicious and overzealous zoo inspector; and Thomas Haden Church, the film’s most dependable laugh getter, plays Benjamin’s older brother, who tries to talk his younger brother out of his plan.

Crowe (Jerry Maguire, Almost Famous, Elizabethtown, Say Anything), who also co-produced and co-wrote the screenplay (with Aline Brosh McKenna), based on the memoir by Benjamin Mee, a London newspaper columnist who lived this adventure before it was transplanted to California, doesn’t allow the supporting human characters to emerge any more than the animals do, and the romantic interests that develop for father and son, although they’re never allowed to obscure or undermine the film’s family focus, are still too predictable and pat.

But this admirably understated film is a kid-friendly family attraction (rated PG) with plenty of unpretentious charm. Although it wears its sentiments and emotions on its sleeve, it never gets pushy about it.

Instead, it registers as a sweet, gentle, wholesome, lightly whimsical celebration of family grieving and healing and unity in its remarkably unassuming depiction of the collective overcoming of setbacks.

And Crowe, as interested in targeting the adults in attendance as he is in speaking to the children they’ve accompanied, minimizes the expected exploitation of the animals he has on hand for cutesy sight gags.

In Damon, Crowe has among the most versatile of leading men, an actor who exudes intelligence, decency, affability, and determination and can therefore use his presence to help an audience get beyond the manipulations and limitations of any script.

So we’ll monkey around with 3 stars out of 4 for this engaging and uplifting family tale. We Bought A Zoo is cagy enough to speak softly and still be something to Crowe about.



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Watch War Horse Online Free With Streaming Quality

Movie: War Horse

Release Date: December 25, 2011

Studio: DreamWorks Pictures

Director: Steven Spielberg

Screenwriter: Lee Hall, Richard Curtis

Starring: Emily Watson, David Thewlis, Peter Mullan, Niels Arestrup, Tom Hiddleston, Jeremy Irvine, Benedict Cumberbatch, Toby Kebbell

Genre: Drama

Official Website: WarHorsemovie.com

IMDB Rating: 7.4

Story: The life of a horse can be wonderful and exciting, but imagine if you are a horse during a time of a World War. It was rough for many horses during the battles of World War 1. Charging into battle, or pulling huge guns up muddy hills, the life of a horse during this time was not as wonderful as it can be today. Joey is born into a time of poverty and war and has to find a way to survive and get back to the life he once knew as a colt.

Albert Narracott, played by Jeremy Irvine is a stable boy who loves a horse named Joey from the time he was born and when he saw him playing and enjoying life as a colt. But times did change, with a war on the verge of breaking out Joey is put up for auction. Albert is disappointed that he will never see Joey again. When his father, Ted Narracott (played by Peter Mullan) takes a chance on Joey things seem to get better for Albert and the horse. But is it? The rest of the story is Joey’s life during the war and Albert’s relentless struggle to get him back. Jeremy Irvine does a great job expressing his character’s strong desire to save Joey and performs well throughout. With a limited and difficult role, Jeremy pulls together a performance that will fill you heart and keep you wondering what will happen next.

Joey the horse does an excellent job expressing the struggles a horse went through during the First World War. The battles were intense and their need was great during the war. The expressiveness shown through the horse from the desire to survive to the helping of others, the training crew as well as the director did a wonderful job during the film. The special effects used to show blending from adventure to adventure were done very well. Using the entry of a little girl named Emilie, played by Celine Buckens, through the eye of the horse was an excellent way to introduce a new character to another adventure for Joey. Other transitions were performed by story changes that included battles, family struggles, and heroic gestures performed by the horse and characters.

Excellent work was done with Joey during the film from the beginning of the birth through the battle scenes and the struggles he experienced during this adventure. It is an exciting film that will keep you thinking. The director, training crew, and special effects team were spectacular with setting up realistic situations that express the horse’s struggles. Overcoming the trials and tribulations that were put forth kept me wanting more and I wondered how they could do this without harming this poor creature.


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Watch The Muppets Online Free With Streaming Quality

Movie: The Muppets

Release Date: November 23, 2011

Studio: Walt Disney Pictures

Director: James Bobin

Screenwriter: Jason Segel, Nicholas Stoller

Starring: Jason Segel, Amy Adams, Chris Cooper, Rashida Jones

Genre: Comedy, Family

Official Website: Disney.com/Muppets

IMDB Rating: 8.1

Story: After 12 long years away, the Muppets are back.

But in a world where TV has moved on and the Muppets are no longer cool, they've become obsolete.

Except to Walter (a Muppet himself and brother of Jason Segel's Gary) who idolizes them still after discovering them when he was young.

So when Gary and long time girlfriend Mary (Adams) decide to go to Hollywood to celebrate their tenth anniversary, Walter is taken along too - and discovers that evil businessman Tex Richman (Cooper) wants to tear down the Muppets studio and mine for oil.

Walter takes the news of this to Kermit - and his greenness decides to get the gang back together and raise the cash they need to buy the studios back.

However, a major spanner's in the works because none of them are still in touch - will they be able to put aside their differences and find it's time to play the music, it's time to light the lights; in short, will the Muppet Show ever go on again?

The Muppets is perhaps the best Muppet film ever.

Heartfelt, humorous, hilarious and wholesome, it's a welcome journey back into the nostalgia and the brilliance of Jim Henson's creatures.

There's a simplicity to the story which is just charming and will reduce you to a dewey eyed sense of yesteryear. There's also a brilliance around the jaunty songs which pepper the flick; some have an almost Flight of the Conchordianesque feel (no surprise given Bret McKenzie and former FOTC showman James Bobin are involved) - and every single one of them a bright showtune, bathed in lyrical brilliance and clever lyrics.

The Muppets is a self knowing film; it mocks what they've become but never in an overly knowing way; it's a sly wink to the sophisticated audiences these days but one which really does make you remember how brilliant these guys were back in the day. And how brilliant they are once again.

At its very core, this is another chance to see the Muppets do their weekly show which so enriched our younger years, with its music hall sensibilities and its corny gags. They take on the bad guys too and an array of guest stars drop by - the majority of whom have made their showbiz names since the lights went down on the Muppets' weekly show. Sure, it's probably nostalgia which is giving this its wondrous feel and maybe it's aimed more at the adults than the kids, but it works so, so well that you can't help but crack a huge beaming smile and shed a joyful tear at how funny, clever, bright and engaging this film is.

Quite simply, as we head to the end of 2011, The Muppets is an unmitigated joy, a welcome return to form and easily the most spectacularly heart warming family film of the year.



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Watch Extremely Loud and Incredibly Close Online Free With Streaming Quality

Movie: Extremely Loud and Incredibly Close

Release Date: December 25, 2011 (limited; wide: Jan. 20)

Studio: Warner Bros. Pictures

Director: Stephen Daldry

Screenwriter: Eric Roth

Starring: Tom Hanks, Sandra Bullock, Thomas Horn, James Gandolfini, Zoe Caldwell, Viola Davis, Jeffrey Wright, Max von Sydow

Genre: Drama

Official Website: ExtremelyLoudmovie.com

IMDB Rating: N/A

Story: Extremely Loud and Incredibly Close, which, like Hugo, features a boy with a dead father and an obsession involving a key, has a title practically begging for addenda from critics. “And Unbearably Cute” would work, along with “Deeply Contrived.” But there’s nothing to mock in the performance of Thomas Horn, the young actor who plays the lock-seeking Oskar Schell. The kid is the mainstay of director Stephen Daldry’s adaptation of Jonathan Safran Foer’s 2005 novel. Dodging the twin minefields of preciousness and an exploitative 9/11 premise, Horn races away with the movie and makes it believably, genuinely sad.

Oskar’s father Thomas Schell Jr. (Tom Hanks), a jeweler and dream dad – playful, wise and engaged in the way that will make 99 percent of the parents who see this movie feel like lazy scum in contrast – had a meeting in the World Trade Center that September morning. He died, but in his last moments left six messages on his home answering machine. Though he’s only 11, the enterprising Oskar trots out into the night of that terrible day (or, “the worst day,” as he calls it) and purchases a duplicate machine so he can keep his father’s last words to himself. Even his mother (Sandra Bullock, solemn and touching) doesn’t know about the device, which is hidden away on a shelf inside a cupboard capacious enough to accommodate Oskar and his growing collection of fetishized objects relating to his father.

Extremely Loud is a scrapbooker’s delight, in love with the notion of secrets and hidden objects and beings, carefully layered, all connected. Oskar goes poking through his father’s closet looking for reminders of Thomas and doesn’t just find a mysterious key; he finds a vase high on a shelf, and inside that is an envelope marked with a single word, “Black,” and inside that is a key. He decides it must be part of a treasure hunt devised by his father, who had a yen for that sort of thing. “Reconnaissance expedition, we called it,” Oskar narrates. “I would have to talk to people which he knew I had a hard time doing.” (The results of Oskar’s earlier Asperger Syndrome tests were “inconclusive,” but it seems his father had drawn his own conclusions.)

A year after the attacks he sets out for a series of Saturday journeys, on foot, to check with every Black family in the phone book (all 427 of them if need be) and discover what the key unlocks. And it’s not just Oskar who is supposed to experience childlike wonder and pleasure at the quest in front of him; the viewer is meant to be equally swept away, sucked into the maze, finding comfort in the neat arrangement of all loose ends. It’s a bitch that life can’t be tied up as nicely as a children’s book, but Extremely Loud does its best to distract us into feeling it can be. It’s got a case of arrested development.


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Watch The Darkest Hour Online Free With Streaming Quality

Movie: The Darkest Hour

Release Date: December 25, 2011 (3D/2D theaters)

Studio: Summit Entertainment

Director: Chris Gorak

Screenwriter: Les Bohem, Jon Spaihts

Starring: Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor, Joel Kinnaman

Genre: Action, Sci-Fi, Thriller

Official Website: DarkestHourmovie.com | TheDarkestHourisnear.com

IMDB Rating: N/A

Story: The post-apocalyptic alien-invasion movie The Darkest Hour began its publicity campaign in San Diego yesterday adjacent to Comic-Con. Crowds were shown the first trailer (expected online in the coming days), as well as stills and artwork for the movie.

Filmed on-location in Moscow, The Darkest Hour follows a group of survivors battling an invading extraterrestrial force which has already conquered most of the planet.

“The aliens of the film are electricity-based and tend to be invisible unless they're attacking. The one clue to knowing when they're approaching is that power returns to the immediate vicinity, leading the band of survivors to gather light bulbs to use as signals.

Though the aliens take control of the planet immediately, depleting the world's energy resources, a band of resistance fighters springs up, using scientific technology to combat the invaders. The group meets a Russian scientist (Dato Bakhtadze), who has devised a mobile form of a Faraday cage (a real-world device that prevents electricity from doing harm to an individual). In his apartment, he's even applied the principle to his cat and manages to build versions of the device for Russian freedom fighters to use in combat. (One piece of production art has a soldier on his horse, both making use of the device).

When the aliens do manage to attack, they literally shred people to pieces. Though all we see is yellow/orange energy, it's hinted that we'll learn a lot more about what the aliens look like and where they come from before the end of the film.”

The movie's story was co-written by Leslie Bohem, who wrote Spielberg's UFO miniseries, Taken (2002). It has also been revealed that the film will be released in conjunction with a spin-off comic book, which will show how the alien invasion/occupation unfolds on a global scale, beyond the confines of Moscow.

The Darkest Hour is due for release in 3D and 2D on December 23, 2011.



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Watch The Adventures of Tintin Online Free With Streaming Quality

Movie: The Adventures of Tintin

Release Date: December 21, 2011 (3D/2D theaters and IMAX 3D)

Studio: Paramount Pictures

Director: Steven Spielberg

Screenwriter: Edgar Wright, Steven Moffat, Joe Cornish

Starring: Jamie Bell, Andy Serkis, Daniel Craig, Simon Pegg, Nick Frost, Gad Elmaleh, Toby Jones, Mackenzie Crook

Genre: Family, Fantasy

Official Website: Tintin.com

IMDB Rating: 7.8

Story: Tintin — Think of "The Adventures of Tintin" as a song of innocence and experience, able to combine a sweet sense of childlike wonder and pureness of heart with the most worldly and sophisticated of modern technology. More than anything, it's just a whole lot of fun.

An old-fashioned epic tale of high seas hijinks and derring-do in distant lands, "Tintin" is presented in an up-to-the-minute combination of 3-D computer animation and performance-capture technology and overseen by two filmmakers, director Steven Spielberg and producer Peter Jackson, who've always kept their inner children close at hand.

The same can be said for Belgian comic artist Georges Remi, who in 1929 under the pen name Hergé created Tintin, the crime-fighting boy journalist with the upswept ginger hair. Accompanied by his intrepid dog Snowy, Tintin is unflappable and inventive in his unquenchable thirst for solving riddles and righting wrongs.

So much better known overseas that "Adventures" hit theaters in Bulgaria close to two months before its domestic opening, Tintin was the hero of 24 graphic novels that Hergé wrote over nearly 50 years, books that have so far sold 350 million copies in some 80 languages. "The Adventures of Tintin," written by the all-star team of Steven Moffat ("Doctor Who"), Edgar Wright ("Shaun of the Dead") & Joe Cornish ("Attack the Block"), shrewdly combines plot elements from three Tintin books, with most of the material coming from "The Secret of the Unicorn."

This Unicorn is not a mythical beast — it's an impressive 17th century naval vessel, "triple mounted with 50 guns" that has long since gone to Davy Jones' locker. Tintin (Jamie Bell) spies a model of it at an outdoor market, but no sooner does he purchase the little boat than several people try to buy it from him, including the sinister-looking Ivan Ivanovich Sakharine (Daniel Craig).

"You're about to walk into a whole mess of danger," the young lad is warned, accurately as it turns out. "These people don't play nice."

It turns out that this model, and two others just like it, contain secret messages that could just possibly lead to a fortune in hidden treasure. Sooner than you can say "Great snakes!" (a favorite Tintin expression), our hero is kidnapped and taken aboard a freighter named the Karaboudjan, where he meets the irascible and inebriated Captain Archibald Haddock (the protean Andy Serkis), who against all odds turns out to be a valuable Tintin ally.

Because he leads such an unrealistic life — an adolescent who lives by himself, works for a newspaper, has the morals of a Boy Scout and enough moxie to destroy an airplane with a single bullet — Tintin is especially difficult to pin down on film. But Bell's natural energy combined with enormous care on the part of the filmmakers has paid off.

It speaks to the elegant detail and vibrant color that characterize Hergé's visual style that Spielberg and Jackson (who have agreed to switch roles if there is a sequel) both fell in love with Tintin before they were able to read his exploits: Spielberg was an adult who didn't know French and Jackson was a child too young to read any language at all.

Though filming Tintin has been on his mind for decades, Spielberg didn't move forward until he was convinced that the technology existed to bring Hergé's vivid brand of storytelling to the screen. The performance-capture shoot using real actors was followed by 18 months of painstaking computer animated work to make them and their backgrounds look just so.

That process proved to be just the ticket for Tintin's exploits, allowing for the creation of a good-humored, high-spirited, almost-modern world that is delicately poised just as it should be halfway between the cartoon and the real. The combination of computer animation and the judicious use of 3-D also allows for scenes and camera movements, especially those involving loop-the-looping aircraft, that don't look like they'd be possible in the real world.

"The Adventures of Tintin" could be accused of biting off too much, of putting in too many adventures and including unnecessary characters like the fan favorite detective team of Thomson and Thompson. But those are the grumblings of adults. The child in us will be delighted.



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Watch The Girl with the Dragon Tattoo Online Free With Streaming Quality

Movie: The Girl with the Dragon Tattoo

Release Date: December 20, 2011

Studio: Columbia Pictures (Sony)

Director: David Fincher

Screenwriter: Steven Zaillian

Starring: Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgård, Steven Berkoff, Robin Wright, Yorick van Wageningen, Joely Richardson

Genre: Drama, Thriller

Official Website: DragonTattoo.com | Mouth-Taped-Shut.com

IMDB Rating: 7.4

Story: The Girl with the Dragon Tattoo is an edgy mystery thriller that sports some great visuals and a moody soundtrack, but suffers from an overly long run-time and a dry story. Academy Award-winning director David Fincher (The Social Network) took on this cultish Swedish story starring the razor-edged techno-goth heroine Lisbeth Salander; unfortunately her character felt under-utilized in a movie that tended to drag.

Most of you have heard the name of The Girl with the Dragon Tattoo, as the original Swedish version of this tale of murder and techno investigations came out a few years ago to some excitement. This remake has been followed by some major buzz, all well-deserved considering the popularity of the story (Swedish author Stieg Larsson’s popular "Millennium Trilogy," which includes The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet’s Nest), and the fact that Fincher was helming the project. That's why the end product feels more disappointing than it might have with less positive anticipation.

The story revolves around a long-cold missing persons case, and a bizarre but wealthy old family. The investigative reporter Mikael Blomkvist, disgraced after a particularly blitzed libel suit, gets hired to solve a decades-old missing persons case.

Lisbeth Salander is an investigator for a security firm, the one called in for the hard cases and not adverse to using less-than-legal mehods (particularly computer-hacking). Lisbeth is the type of woman who lives on the the fringes of society. She rides a motorcycle, has a multitude of piercings and tattoos, and wears mostly black; not one you want to mess with, especially if you’re a guy.

To say Lisbeth has issues would be a gross understatement. But along with said issues, Lisbeth is brilliant with a near photographic memory. Blomqvist eventually calls in Lisbeth to help with the case, and the duo come together in an unlikely team to solve the mystery.

Daniel Craig plays an easy-going Blomqvist, and pretty much nails the non-threatening male presence of the character. Though he has played uber-masculine roles in the past like 007 James Bond, his take on Blomqvist wasn't awe-inspiring but it made for a soft character background for the sharp character of edgy Lisbeth Salander.

Lisbeth Salander, played brilliantly by Rooney Mara, is a dynamic character that sucks screen energy. When she's in a scene, all eyes are on her, not matter what. Mara lost herself in the role, wholly becoming Salander in every twitch, downward gaze and mannish swagger. She looks the part, but she also feels the part, which is a testament to her skill as an actress.

NIN lead man Trent Reznor composed the original music with Atticus Ross, so the soundtrack is a moody beast in and of itself. It matches the dark themes and brutal elements of the story, and also the bleak landscapes. The film is set (excluding flashbacks) in a bleak nordic winter. The visuals are as dark as some of the storylines, though Fincher's direction is particularly exciting is did use some great lanscape to benefit.

The major problems come from what I see as a somewhat dry mystery tale translating to the screen in an unweildy mass. The story is somewhat predictable, and the character of Llisbeth Salander (by far the most intriguing character) feels like she takes a backseat in the film to the more sedate and boring Blomqvist character.

The two-plus-hour runtime doesn't service this story issue well, and there are long plodding interludes in the movie that could well have been left on the editing room floor. The initial set-up of the film, for instance, when audiences are treated to Salander being brutalized and raped and then getting revenge, could have been toned and cut down. As could the myriad of scenes with Blomqvist and his "disgraced journalist" side story.

The brutality and graphic nature of many scenes seemed over the top to me as well. It's one thing to set up a scene implying disturbing actions are taking place, but Fincher decided to bring all those moments to stark, unflinching light. This means a heavy does of disturbing images (which include rape, torture and murder) that aren't artistically buried in more palatable segways and innuendos.

If the runtime had been trimmed, and if certain graphic scenes had been toned down and/or cut out, I would be able to give The Girl with the Dragon Tattoo higher marks. Unfortunately, this Fincher project isn't up to his normal standards, and some pendantic pacing and camera work make this film just a mental ho-hum for me.



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Watch New Year's Eve Online Free With Streaming Quality

Movie: New Year's Eve

Release Date: December 9, 2011

Studio: New Line Cinema (Warner Bros.)

Director: Garry Marshall

Screenwriter: Katherine Fugate

Starring: Halle Berry, Jessica Biel, Jon Bon Jovi, Abigail Breslin, Chris "Ludacris" Bridges, Robert De Niro, Josh Duhamel,

Genre: Comedy, Romance

Official Website: NewYearsEve-movie.com

IMDB Rating: 4.9

Story: There's an old folk tale called "Stone Soup," in which a group of hungry wanderers hoodwinks a town into coming together to create a delicious stew from nothing but a pot of stones. It's generally considered a story about cooperation in problem-solving, but its more cynical lesson is, "If you methodically distract them with enough razzmatazz, sometimes people don't notice you're serving soup made of rocks."

At its heart, Garry Marshall's New Year's Eve is soup made of rocks. Similar in structure to its predecessor Valentine's Day, the film follows eight (!) stories, all as underdeveloped as you would expect from a film trying to tell eight stories in two hours and also cram in a Ryan Seacrest cameo, a couple of bad musical numbers, and the most unflattering dress Katherine Heigl has ever worn. (Yes, that includes the 27 bridesmaid's dresses she wore in the movie where she wore 27 bridesmaid's dresses.)

And what are the eight stories?

1. Katherine Heigl and Jon Bon Jovi fight.
2. Jessica Biel and Seth Meyers have a baby.
3. Zac Efron takes pity on a mousy Michelle Pfeiffer.
4. Josh Duhamel wears a tux and rides in an RV.
5. Sarah Jessica Parker singly mothers Abigail Breslin.
6. Hilary Swank drops the big shiny ball in Times Square.
7. Ashton Kutcher and Lea Michele get trapped in an elevator.
8. Robert De Niro faces his mortality with the assistance of his pretty nurse, Halle Berry.

When it comes to making any of these tales interesting, the film is 0-for-8.

Of the couples, the only one that even arguably has any chemistry is Biel and Meyers, and that's more comedic chemistry than romantic chemistry. Not one of the single people is at all compelling — not even De Niro, whose entire character description seems to be, "Croaks slowly. Like, for hours."

The only entertaining way to watch New Year's Eve is as a cruel experiment in which performers stranded with absolutely no script support are forced to subsist on pure presence, which quickly becomes a blood sport in which only a few survive.

Kutcher, for instance, is playing an undefined slob who's inexplicably attracted to the true-to-type uptight striver played by Lea Michele. But he does it with just enough charm and confidence that he becomes a beacon in the unending darkness that is most of the rest of this movie. His smile is more effective than whole storylines. He's not doing much actual acting, but that ability to put shock paddles to the chest of a dead scene with his face is why he gets work.

Seth Meyers, for his part, can deliver a punch line about as well as anyone currently working, so jokes that aren't really funny at all become funny because he puts them on his back and carries them.

Similarly, Halle Berry is handed a scene towards the end that could almost be an acting exercise: You know nothing about this character except this demographic sketch, there's been no setup, and you're playing opposite a computer monitor. Go!

And Berry lends it a dignity of which it is utterly unworthy. She's great to watch even when she's not doing anything — and this movie is how you know that, because in this movie, she is not doing anything, perhaps more than she's ever not done anything before.

Others are not even so minimally fortunate. Heigl's fired-up style has worked in a romantic comedy or two, but Bon Jovi's painfully mellow demeanor is the worst possible match for her. She specializes in half-hostile banter, but he gives nothing back, which makes it seem like she's just yelling at him all the time.

Pfeiffer is playing a woman whose sadness is conveyed primarily by her terribly styled brown hair, who has the naivete of Rain Man and the nervous energy of a coffee-gulping hamster. It's not clear whether Efron's affable doofus actually likes her, merely pities her, or just has a thing for being blinked at a lot.

Josh Duhamel is pretty, but here his character really might as well be named Tux Mannequin. Sarah Jessica Parker is playing an older, duller Carrie Bradshaw without the sex or the friends. Hilary Swank won two Oscars, and here she's adrift in yet another story about how career women's lives are passing them by.

Various side players go to waste as well: Sofia Vergara playing the one-dimensional sex bomb people often wrongly assume she's playing on Modern Family; Hector Elizondo reduced to slapstick; Cherry Jones gamely leaking tears in a tiny part that doesn't deserve her.

There's absolutely nothing wrong with silly romantic fare or with interlocking featherweight vignettes — in fact, even Valentine's Day worked this formula more successfully than this follow-on does. But the individual pieces have to be made with at least a little love. It's not enough to just gather faces for the poster, get Lea Michele to sing with the moaning earnestness she brings to Glee, put Sarah Jessica Parker in princess shoes, throw some glitter, play some Pink, and call it a day.

Because what these folks have here, no matter how much they've dumped into it, is not satisfying. What they have here is soup made of rocks.


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Watch Alvin and the Chipmunks: Chip-Wrecked Online Free With Streaming Quality

Movie: Alvin and the Chipmunks: Chip-Wrecked

Release Date: December 16, 2011

Studio: 20th Century Fox

Director: Mike Mitchell

Screenwriter: Jonathan Aibel, Glenn Berger

Starring: Jason Lee, David Cross, Jenny Slate, Justin Long, Matthew Gray Gubler, Jesse McCartney, Amy Poehler, Anna Faris, Christina Applegate

Genre: Action, Adventure, Comedy

Official Website: MunkYourself.com

IMDB Rating: 2.7

Story: Jason Lee returns for his third installment in the Alvin and the Chipmunks series as the one guy who knows how to put up with these singing tree creatures and their amazing little voices.

Who says they’re hard to put up with? They do. Known for their childlike antics (they’re chipmunks, people!), their manager Dave, played by Jason Lee, tells the chipmunks to grow up or ship out. They take the latter option, to some extent, and find themselves stranded on a tropical island in the middle of the ocean.
Chipmunks who hate the outdoors

Why would it be a problem for chipmunks to be stranded in the wilderness? They are animals, right? Yes, they're animals, but these guys have been out of trees so long, they've kind of lost their roots.

Left with nothing but street smarts and a whole lotta vocal cords to go around, the dynamic trio, Alvin, Simon and Theodore -- accompanied by three spunky female singers Eleanor, Jeanette and Brittany -- must try to survive on the island alone until Dave comes to rescue them.
If he ever comes...

When Alvin realizes his juvenile antics might be too much for Dave, the chipmunks start to wonder if they will be rescued at all.

Dave, on the other hand, is nothing but worried about his fury little friends. But unfortunately for him, he’s stuck on the other side of the island with his archenemy Ian, played by comedian David Cross, who has some of the funniest lines in the movie. Did we mention he’s wearing a chicken suit the entire time? You have to see it to believe it.
Sing your way to civilization

Things get stranger -- and a little more interesting -- when the chipmunks run into Zoe, played by Jenny Slate of Saturday Night Live and HBO’s Bored to Death. She’s been stranded on the island in a bit of a Tom-Hanks-Castaway-meets-Lord-of-the-Flies fury for almost a decade. Least to say, she isn’t fazed by seeing talking chipmunks who can sing their way out of any problem.

With lots of hilarious dance sequences and great vocals, the musical numbers make up for the rather thin plot. With a tone similar to other animated-live-action hybrid films like Russell Brand’s Hop and Who Framed Roger Rabbit?, this movie gives adults some time with their favorite My Name Is Earl actor and children time with their favorite singing chipmunks.

Celebrity voices include Justin Long as Alvin, Amy Poehler as Eleanor, Anna Faris as Jeanette and Christina Applegate as Brittany. If you liked the first two chipmunk movies, Alvin and the Chipmunks and Alvin and the Chipmunks: The Squeakquel, don't miss seeing these spunky little singers try to survive life in the wilderness.

Bottom line: If you like Jason Lee, booty-shaking tree critters and the voices of Anna Faris and Amy Poehler, Alvin and the Chipmunks: Chip-wrecked is a cute family comedy full of music and laughs.



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Watch Mission: Impossible - Ghost Protocol Online Free With Streaming Quality

Movie: Mission: Impossible - Ghost Protocol

Release Date: December 16, 2011 (IMAX; wide: Dec. 21)

Studio: Paramount Pictures

Director: Brad Bird

Screenwriter: Josh Applebaum, Andre Nemec

Starring: Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton, Josh Holloway, Michael Nyqvist, Vladimir Mashkov, Lea Seydoux, Anil Kapoor

Genre: Action, Adventure, Thriller

Official Website: MissionImpossible.com

IMDB Rating: 8.0

Story: You know a tent-pole movie series is in trouble when it has to explain its title in its dialogue.

As in Tom Cruise saying, about midway through Mission: Impossible - Ghost Protocol, to the rest of his crew, "We're going to Ghost Protocol. Ghost Protocol is..." and then explaining exactly what Ghost Protocol is. It has something to do with being disavowed by the government -- always a risk -- and going rogue to prove your own innocence.

Which turns out to be the same thing the IMF agents are always having to do: proving their innocence after terrorists make them the fall guys for some heinous deed. (In this case, it's the dynamiting of the Kremlin to cover the theft of nuclear-missile launch codes.)

The seams are showing badly in this fourth Mission: Impossible movie with Tom Cruise as Agent Ethan Hunt. Aside from blocks of exposition about the various code words, this movie is chopped up into a collection of action packages, some larger than the others. What holds them together is a familiar excuse for a plot: the brilliant maniac who has to be stopped before he triggers a world-wide conflagration. Didn't we just see that in the Sherlock Holmes movie?

Cruise looks great for someone about to turn 50. Still, this film makes it look as though he may be about to pass the M:I franchise baton to Jeremy Renner of The Hurt Locker, who shows up here as a State Department analyst with certain, shall we say, skills and holds up his end of the action.

Hunt is teamed with Renner (as the analyst Brandt), along with Paula Patton (Precious), as a fellow operative, and Simon Pegg, as Benji, still a computer nerd but, apparently, a field agent who actually carries a weapon beside a keyboard. They're tracking a terrorist named Cobalt (Michael Nyqvist of the Swedish Millennium movies series of Stieg Larsson's books), which has them bouncing around the globe from Moscow to Dubai, then to India and elsewhere.

But the script, by Josh Appelbaum and Andre Nemec, feels too jokey without being genuinely funny. Pegg is meant to be Cruise's comic sidekick, frustrating his super-cool sangfroid with his incessant jabbering. But jabbering and saying funny things are two different animals.

The elaborate stunt and special-effect sequences still manage to be breath-taking -- but it's probably useful (and pointless) to recall that much of the appeal of the original M:I (and at least the first couple of movies) was the element of outsmarting the villains (and the audience), as opposed to outrunning or outgunning him. These films -- like the James Bond films and just about any tent-pole series out there -- are built around running and gunning, however. Which makes even the eye-popping stunts -- like Cruise almost bare-handedly crawling up the outside of the 100th floor of a Dubai skyscraper -- seem a little less special.

Cruise is hardly challenging himself as an actor with a film like this. It's fast, explosive and exciting. But where the other Mission: Impossible films were calculated to appeal to the kid in adults, this film seems aimed right at kids, period.


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Watch Sherlock Holmes: A Game of Shadows Online Free With Streaming Quality

Movie: Sherlock Holmes: A Game of Shadows

Release Date: December 16, 2011

Studio: Warner Bros. Pictures

Director: Guy Ritchie

Screenwriter: Michele Mulroney, Kieran Mulroney

Starring: Robert Downey Jr., Jude Law, Noomi Rapace, Jared Harris, Eddie Marsan, Stephen Fry, Rachel McAdams

Genre: Action, Adventure, Mystery

Official Website: SherlockHolmes2.com

IMDB Rating : 8.0

Story: Robert Downey Jr. has been riding high for the past few years on the successes of Iron Man and Sherlock Holmes. He has become a "character" actor in that he brings credibility to these larger than life characters on screen. So successful has he become in these roles that it is forgotten that he is an award-nominated actor for his role in Chaplin. He has strong acting credentials which would indicate he could do more than play the gimmicky roles. His return as Sherlock Holmes in Sherlock Holmes: A Game of Shadows is another gimmicky role.

This time out, Holmes and his partner Watson (Jude Law) take on their evil nemesis Moriarty (Jared Harris). This requires them to enlist the assistance of a gypsy fortune teller named Sim (Noomi Rapace). It also requires them to travel to various locales to track down Moriarty and his evil doing.

The excitement of their adventure is on display at all times but somehow not all the excitement is exciting. Sometimes in the middle of their pursuit, things seem to bog down. There may be explosions and gunfights going on but the audience is not always engaged. This has something to do with the script by Kieran and Michele Mulroney. It never brings the characters to life as much as the first movie did. Here, they are just action figures involved in a semi-interesting plot.

Maybe the movie would have been helped by more involvement of the female members of the cast. Rachel McAdams is the first person viewed on screen and then she soon leaves the story. Kelly Reilly who plays Mary Watson was delightful in the first film but is hardly seen or heard from in this one. Then there is poor Noomi Rapace. This exotic and inherently interesting actress is sorely underused in this movie.

Downey and Law still have fun with the repartee between their characters but the genuine affection between the two men is missing. Best friends in the first film, they now appear as casual acquaintances.

The story is set in London in the late 19th century yet there is talk of plastic surgery, contact lenses and other seemingly "not invented yet" occurrences. Maybe there were procedures of this type but they don't ring true. Too there is a "how is he still alive" portion of the story that sours the reality of the film.

The movie is rated PG-13 for violence and profanity.

Even when they are not at their best, Downey and Law are still enjoyable actors -- and the underused Rapace is so unique as to still be an asset for the film. So there are pluses to this sequel.

Taking all of this into consideration I scored Sherlock Holmes: A Game of Shadows a checkmate: six out of 10.



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