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Watch The Descendants Online Free With Streaming Quality

Movie : The Descendants

Release Date : November 16, 2011 (NY, LA; limited release: November 18)

Studio :
Fox Searchlight Pictures

Director : Alexander Payne

Screenwriter :
Alexander Payne, Nat Faxon, Jim Rash

Starring :
George Clooney, Shailene Woodley, Beau Bridges, Robert

Genre : Comedy, Drama

MPAA Rating :
Not Available

Official Website : FoxSearchlight.com | King-Family-Tree.com

IMDB Rating : 8.2

Storyline :
George Clooney plays Matt King, a successful Oahu real estate lawyer whose wife, Elizabeth (Patricia Hastie), has been left comatose by a speedboat accident. Their two daughters, pesky 10-year-old Scottie (Amara Miller) and prickly 17-year-old Alex (Shailene Woodley), have never been especially close to Matt, who, in a voice-over, tells us, “I’m the backup parent. The understudy.”

It soon becomes clear to Matt that Elizabeth’s coma is irreversible and her remaining time, once the plug is pulled, will be short. How he deals with his daughters in this tragic situation is the heart of the film, and yet – and this is the film’s true originality – it never descends into pathos. Payne, who based his movie on the acclaimed 2007 novel by Kaui Hart Hemmings and shares a screenplay credit with Nat Faxon and Jim Rash, understands how tragedy often plays itself out as a flurry of warring emotions. The grief in this film is often goofy, almost knockabout. Matt and his daughters and many others in the movie’s widening human circle are caught up in a whirlwind of kindness and rue and redemption.

IN PICTURES: The 10 highest grossing films of all time

As if Matt doesn’t have enough to deal with, he also has to make a decision about the fate of 25,000 acres of pristine land on Kauai that, as majority stakeholder in the family trust, his relatives are pushing him to sell. (His ancestry, on one side of his family, goes back generations to royal Hawaiian blood.) Even worse, he must confront the revelation, supplied early on by Alex, that Elizabeth was carrying on an affair.

Alex, who has been boarding at a pricey school on the Big Island, resented her mother for her adultery, and there is a strong element of payback in the way she unloads her bombshell on her father. Despite the maundering state of his marriage, the clueless Matt is poleaxed at the news.

Ironically, inevitably, it is the search for Elizabeth’s boyfriend, who turns out to be an Oahu real estate agent named Brian Speer (Matthew Lillard), that ends up bonding Matt with his eldest daughter. They track Brian down to the Big Island where he’s taking a mini-vacation with his family and, in coconspiratorial mode, press a confrontation. But Matt isn’t the type to foment a fight. What he really wants from Brian, in a beautifully written and acted scene, is something more than a punch-out. He wants Brian to come to the hospital in Oahu and pay his last respects to Elizabeth. (In the course of the film practically all the major players have their solo scenes – they are more like confessions – with the comatose Elizabeth.)

Although there are some magnificent vistas on view in “The Descendants,” particularly of the Kauai acreage that Matt is loath to part with, Payne doesn’t portray Hawaii in paradisiacal colors. This is perhaps the first film ever shot in Hawaii that brings out the workaday, almost banal aspects of the islands. It’s a bracingly realistic – bracingly honest – view of experience, and it’s entirely in keeping with the open-ended way in which Payne works.

He surprises us. Just when you think you’ve pegged a person’s character in this film, the emotional landscape shifts and you realize you didn’t really know that person after all. This is true not only of Matt and his daughters but also of Alex’s stoner boyfriend Sid (Nick Krause), who, somehow, ends up as a kind of mentor to Matt; or Matt’s martinet father-in-law, Scott (Robert Forster), who blames him for Elizabeth’s accident; or Brian’s wife, Julie (Judy Greer), with her fragile chipperness; or Matt’s cousin Hugh (Beau Bridges), who can’t comprehend why his relative wouldn’t want to sell the Kauai acreage and reap a windfall for the family.

All these actors are wonderful, and none more so than Clooney, who does something very difficult here: He makes decency magnetic. There is not a trace of vanity in the way he plays down his trademark glamour. He and Payne are coconspirators, too. They know that the story they are telling is too emotionally complicated to muck up with a lot of preening and artifice. They head right into the sad and crazymaking humor of the situation. This is a modest marvel of a movie.




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Watch In Time Online Free With Streaming Quality

Movie : In Time

Release Date : October 28, 2011

Studio :
20th Century Fox

Director : Andrew Niccol

Screenwriter : Andrew Niccol

Starring :
Justin Timberlake, Amanda Seyfried, Cillian Murphy, Vincent Kartheiser, Alex Pettyfer, Johnny Galecki

Genre : Thriller

MPAA Rating : PG-13 (for violence, some sexuality and partial nudity, and brief strong language)

Official Website : InTimemovie.com | TheRichCanLiveForever.com

IMDB Rating : 6.7

Storyline : Will Salas (Justin Timberlake) belongs to a new generation for whom time is money, literally. Anybody above 25 years has just one year to live unless he can buy time. He meets stranger Henry Hamilton who gifts him a century before committing suicide. Enter the Time keepers, the Intelligence Agency that fails to understand how a not-so-well-off Salas suddenly has a century gifted to him. Did he murder Henry? More importantly, what does Salas plan to do now that he has all that time in the world...

Sensuous Olivia Wilde plays Justin Timberlake's mother, and she's fifty now while Justin's just turned 25. She's just one of the many inhabitants of this zombieland where humans stop aging at 25, but can live beyond that provided they can buy time. Yes, the idea is to keep recharging life -- an easy job for the super rich who already have a million years on them, but an expensive and tedious task for the unfortunate few. And that's where Will Salas (Justin Timberlake) comes in. The ghetto kid wants to save his dying mother but doesn't know how until he meets a stranger, Henry Hamilton one fine day, who gifts him a century before jumping off a bridge. Enough to put then-poor-now-uber rich man under suspect. Where did he get all that time from, they wonder. But even before you actually think you know it, you are irresistibly thrown into the riveting time warp...

First there are day-to-day activities of the contemporary world translated into time: it costs a decade to book a suite, two hours is all you need to debit from life as toll tax or maybe a few seconds of life is what you pay for a night of sex. How? Swipe your wrist against the machine and time's debited from your account (read life). That's exactly what Justin's seen doing. Till he finds love in multimillionaire (she has untold centuries on her clock) Sylvia Weis (Amanda Seyfried), who helps him when on the run... and ends up falling in love. Naturally then, their motto is the same: to make the world an equal place. After all, why should the rich live forever, while the poor have to fend for every second. Time to rob time (read banks) like Bonnie and Clyde and distribute it like Robin Hood to the poor and needy.

Now don't just watch this one for the buying and selling of time. First, watch for it Cillian Murphy as the selfish, sophisticated time keeper in a not-so-distant world where time is money. Second, watch it for those speedy car chases and crashes, gun shots and other adrenaline pumping stuff. Third, see it for Justin Timberlake who once again belts a fine and convincing performance perfectly matched with the understanding Amanda Seyfried. Next, it's some real moments in time: Olivia failing to making it to Justin by a nano second, Justin and Amanda ready to give up their last few seconds for each other in the final part now that time is love (you actually wish the two never time out), the fate changing win of Justin after a game of arm conflict. Fifth, watch it for the technique: You end up keeping a tab on how much time's left for all, courtesy the fluorescent green digital clock that keeps ticking off every century, year, month, week, hour, second... on every forearm. And if that's not all, finally watch it for some thought provoking questions: Why do we have to die? Why does the cost of living always go up and never down? Hasn't evolution been unfair to every passing generation? Quite real with all that current talk of the immortality gene for the rich. Intelligent cinema.



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Watch A Very Harold & Kumar 3D Christmas Online Free With Streaming Quality

Movie : A Very Harold & Kumar 3D Christmas

Release Date : November 4, 2011 (3D/2D theaters)

Studio : New Line Cinema (Warner Bros.)

Director :
Todd Strauss-Schulson

Screenwriter :
Jon Hurwitz, Hayden Schlossberg

Starring :
John Cho, Kal Penn, Paula Garcés, Danneel Harris, Tom Lennon

Genre: Comedy

MPAA Rating :
R (for strong crude and sexual content, graphic nudity, pervasive language, drug use and some violence)

Official Website :
HaroldandKumar.com

IMDB Rating : 7.2

Storyline : Top athletes know it. Leading politicians know it. And with the opening of “A Very Harold & Kumar 3D Christmas,” stoners will know it too: No matter how good you are at what you do, there’s always someone younger and hungrier coming up, threatening to take your crown.

Harold (John Cho) and Kumar (Kal Penn) may be the kings of recreational drug use, but in this, their third feature film, they are upstaged by a baby. This kid, the child of Harold’s new best friend, is accidentally dragged along on a typically outrageous Harold and Kumar odyssey, and child-welfare laws are left hilariously in tatters. Though perhaps more hilarious to some folks than others. If the sight of a baby covered in powdered cocaine offends you, you are an idiot for having gone to a Harold and Kumar movie.

Anyway, as the film begins, Harold and Kumar are estranged, having each found new best friends. Harold is living a straight-laced married-guy life; Kumar is being Kumar. But a mysterious package brings them together again.

The plot, though it hardly matters, involves the search for a new Christmas tree. The film’s director, Todd Strauss-Schulson, takes aggressive advantage of the 3-D format, sending all sorts of things shooting out at the audience: syrup, snow, streamers, a hat and lots of wacky-weed smoke.

Those who left the previous film in the series, “Harold & Kumar Escape From Guantanamo Bay,” during the closing credits may think they won’t be seeing Neil Patrick Harris in this one, since he seemed to have been pretty thoroughly shot to death in “Guantanamo.” (A scene after the closing credits showed him shaking off the gunshot wounds.) “N.P.H,” as he’s often called in these films, does indeed return, singing and dancing. And talking dirty.

He, that stoned baby and a stunning riff on the tongue-stuck-to-a-pole scene in “A Christmas Story” will, for fans of this franchise, make this a blissful holiday season indeed.

“A Very Harold & Kumar 3D Christmas” is rated R (Under 17 requires accompanying parent or adult guardian). It has — duh — drug use, not to mention violence and nudity.



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Watch J. Edgar Online Free With Streaming Quality

Movie : J. Edgar

Release Date : November 9, 2011 (limited; wide: Nov. 11)

Studio : Warner Bros. Pictures

Director :
Clint Eastwood

Screenwriter : Dustin Lance Black

Starring :
Leonardo DiCaprio, Naomi Watts, Judi Dench, Armie Hammer, Josh Lucas, Ken Howard

Genre :
Biography, Drama

MPAA Rating :
R (for brief strong language)

Official Website : JEdgarmovie.com

IMDB Rating :
7.3

Storyline : American movie icon Clint Eastwood directs his 32nd feature film with a biopic of J. Edgar Hoover, the man who lead the FBI from 1924-1972.  J. Edgar exhibits the same great period look he achieved in 2008’s Changeling along with the year’s best makeup.  It also gives us cold joyless performances in a detached film that is hard to follow.   It is currently playing in Roanoke at the Carmike 10, Valley View Grande 16, and the historic Grandin Theatre.

The overly ambitious screenplay by Dustin Lance Black gives us a movie that is broad in scope yet scant on details.  It’s difficult to settle into the picture as the story jumps back and forth through time from the outset without a clean initial introduction to the title character.  Over fifty years of our nation’s history are squeezed into the movie with most of the characters and events getting only a passing mention.

Those looking for the story of how the FBI came to be what it is today may be disappointed.   J. Edgar focuses more on the personal life of Hoover (Leonardo DiCaprio) than the actual development of the bureau.  This biopic presents a mother dominated, ruthless obsessive, and oddly repressed homosexual who finds a life companion in second-in-command Clyde Tolson (Armie Hammer).  He digs into the personal lives of those around him, keeps his findings in secret files, and has no compunction about using them whenever they can advance his agenda.

Yet the movie offers too little insight and investigation into what made Hoover this way and raises a lot of unanswered questions.  Though it does not outright paint Hoover as a villain, neither does it praise his accomplishments.  It offers a sad uninvolving peek into the life of a complicated and history making personality.



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Watch Tower Heist Online Free With Streaming Quality

Movie : Tower Heist

Release Date : November 4, 2011

Studio : Universal Pictures

Director : Brett Ratner

Screenwriter : Adam Cooper, Bill Collage, Russell Gewirtz, Rawson Marshall Thurber, Ted Griffin, Leslie Dixon, Noah Baumbach, Jeff Nathanson

Starring : Ben Stiller, Eddie Murphy, Matthew Broderick, Téa Leoni

Genre : Action, Comedy

MPAA Rating : PG-13 (for language and sexual content)

Official Website : TowerHeist.net

IMDB Rating : 6.7

Storyline : A hardworking building manager, small-time thief, incompetent concierge, confused bellhop, timid ex-investor and self-assured maid take revenge on a Madoff-like criminal in “Tower Heist.”

Josh Kovacs (Ben Stiller) is the building manager of a luxury apartment complex, called the Tower. He is at first blindly loyal to the apartment’s wealthiest tenant, Arthur Shaw (Alan Alda), and refuses to believe police accusations that the billionaire has stolen $2 billion.

Kovacs had given his and the other Tower employees’ pensions to Shaw for investment, and now these are all lost. After hearing this news, the doorman at the Tower attempts to commit suicide. Kovacs soon learns that the doorman lost his life savings, along with his pension to Shaw’s Ponzi scheme.

The billionaire’s indifference toward the doorman’s situation forces Kovacs to realize that the accusations are true. Furious, he decides to steal the employees money back and creates a group of misfit crooks to help him.

“Tower Heist” delivers exactly what the trailer promises: a fun, fast-paced heist movie featuring an oddball cast. The cast, which includes Eddie Murphy, Casey Affleck (“Gone Baby Gone”), Matthew Broderick (“Ferris Bueller’s Day Off ”), Michael Pena (“Shooter”) and Gabourey Sidibe (“Precious”) is what makes the movie enjoyable.

Murphy’s ultra-fast comedic dialogues coupled with Broderick’s self-deprecating humor, Sidibe’s sassy innuendos and Pena’s deadpan deliveries provide many of the laughs in the movie. The interaction between Sidibe and Murphy when she is teaching him how to open a safe is arguably the funniest scene in the movie.

Director Brett Ratner, unfortunately, does not take advantage of his cast’s capabilities. The generic plot does not help him or the actors. There are gaping holes in the story, which seems to be hastily concocted.

Far-fetched scenes, such as Kovacs fooling the FBI into thinking Shaw’s court date has changed and Kovacs dangling a car outside a building in New York City, are used as plot devices to move the movie along.

While “Tower Heist” is hardly memorable, it is still humorous and entertaining.




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Watch Puss in Boots Online Free With Streaming Quality

Movie : Puss in Boots

Release Date : October 28, 2011 (3D/2D theaters and IMAX 3D)

Studio :
DreamWorks Animation

Director : Chris Miller

Screenwriter : Tom Wheeler

Starring : Antonio Banderas, Salma Hayek, Zach Galifianakis, Billy Bob Thornton, Amy Sedaris

Genre : Adventure, Animation, Comedy, Fantasy

MPAA Rating : PG (for some adventure action and mild rude humor)

Official Website : PussInBootsthemovie.com

IMDB Rating : 7.0

Storyline :
  Just when you were about to give up on 3-D—and the inflated price of admission to watch it on a theater screen—along comes a film that’s worth the money. In fact, it isn’t the story that makes Puss in Boots stand out, but the imaginative staging, especially in 3-D.

The moment that Puss made his debut in Shrek 2, dramatically voiced by Antonio Banderas, and all but walked away with the picture, it was clear that DreamWorks Animation had created a resonant character. Now, inevitably, he is starring in his own CG-animated feature and while he essentially remains a one-joke character (a self-styled Don Juan who takes himself, and everything he does, very seriously) I have to admit it’s a pretty good joke.

The challenge for director Chris Miller and his team of writers and artists was to come up with a storyline that would—

—give the stylish cat some room to grow, with colorful costars and inventive situations. They’ve pulled this off pretty well, although the story is much more cluttered than it needs to be.

 Since Puss is essentially a straight-man, he needs lively, funny characters to bounce off. His leading lady is a tantalizing feline named Kitty Softpaws (voiced by Salma Hayek) with whom he dances, both literally and figuratively, throughout the picture. And returning to the Mother Goose/fairy-tale realm of Shrek, the filmmakers introduce Humpty Dumpty (voiced by Zach Galifianakis) as Puss’ best friend from boyhood. They were once as close as brothers, raised together at an orphanage, until Humpty became jealous of Puss and betrayed him. Now he’s back, seeking forgiveness—as well as Puss’ complicity in a scheme to steal some magic beans that will send them up a famous beanstalk to the home of goose eggs made of gold.

It’s in the home stretch that the already-busy story bogs down, leading to multiple climaxes and a less-than-triumphant finale.

But Banderas’ forceful performance is consistently amusing, and the film is a visual treat from start to finish. So if Puss in Boots isn’t a great animated feature, it’s still pretty good...and that’s no small accomplishment.



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Watch Jack and Jill Online Free With Streaming Quality

Movie : Jack and Jill

Release Date : November 11, 2011

Studio : Columbia Pictures (Sony)

Director : Dennis Dugan

Screenwriter : Steve Koren, Adam Sandler, Robert Smigel

Starring : Adam Sandler, Katie Holmes, Al Pacino

Genre : Comedy

MPAA Rating : PG (for crude material including suggestive references, language and comic violence)

Official Website : JackandJill-movie.com

IMDB Rating : 2.8

Storyline : Among the famous people who make cameo appearances in the new Adam Sandler comedy, Jack and Jill: Christie Brinkley, Drew Carey, Dana Carvey, Johnny Depp, Michael Irvin, John McEnroe, Shaquille O’Neal, Regis Philbin, David Spade and even Jared Fogle — the guy from the Subway sandwich commercials.

Total number of laughs that the amassed star power generates: one.

The bit with Depp, who has an amusing exchange with Al Pacino, made me chuckle.

Yes, Pacino is also in Jack and Jill, playing himself. His is not a cameo but a real supporting role. And unlike Robert De Niro, who often sleepwalks through his for-the-paycheck jobs, Pacino gives the movie his all.

Director Dennis Dugan is a TV and film (mostly TV) actor who has directed many of Sandler’s pictures, from Happy Gilmore to You Don’t Mess With the Zohan. He’s a yes man who is good at doing what he’s told — the epitome of a hack.

Jack and Jill contains long stretches of squirm-inducing tedium in which Sandler riffs and ad-libs far longer than he should, as if he thought that wearing a dress would immediately turn anything he did into comedy gold. Playing Jack Sadelstein, an ad executive dreading the annual holiday visit of twin sister Jill (also Sandler), the actor is obviously having fun. But the party doesn’t include the audience.

The film radiates a smirkingly self-satisfied vibe, and Sandler goes so far over the top as Jill — a whiny, needy New Yorker who has never used a computer, has never eaten Mexican food and apparently has never gone out on a single date — that I was gritting my teeth 15 minutes in.

Sandler is a capable actor: He has done good and sometimes-surprising work when paired with a strong director (Judd Apatow’s Funny People or Paul Thomas Anderson’s Punch-Drunk Love). But, left to his own devices, Sandler reverts to his worst, laziest habits. He forgets that what might have been tolerable in a three-minute Saturday Night Live skit becomes excruciating when stretched into a film. And this is one of Sandler’s PG-rated, child-friendly films, so, instead of any edgy humor, you get fart jokes, pratfalls and more fart jokes (I counted four, but there could be more).

Then there’s Pacino’s fascinating performance. This is arguably his first big sellout, but he earns every dollar. He plays himself as an arrogant manipulator who pitches a fit onstage when someone’s cellphone goes off during a performance on Broadway, talks to his service staff in gibberish to make people think he can speak foreign languages and relentlessly pursues Jill as a way of getting into character for an upcoming gig as Don Quixote in Man of La Mancha.

At the end of the film, when Pacino watches the song-and-dance TV commercial for Dunkin’ Donuts that Sandler’s adman persuaded him to do, he’s understandably horrified. “Burn this,” Pacino says. “ No one can ever see this.”

The joke, of course, is that he’s also referring to Jack and Jill. By then, it’s too late: He, Sandler and Dugan have already taken your time and money, along with what was probably a hefty check for product placement from Dunkin’ Donuts.



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Watch Immortals Online Free With Streaming Quality

Movie : Immortals

Release Date : November 11, 2011 (3D/2D theaters)

Studio : Relativity Media

Director : Tarsem Singh

Screenwriter : Charles Parlapanides, Vlas Parlapanides

Starring : Henry Cavill, Stephen Dorff, Isabel Lucas, Freida Pinto, Luke Evans, Kellan Lutz, John Hurt, Mickey Rourke

Genre : Action, Adventure, Drama, Fantasy

MPAA Rating : R (for sequences of strong bloody violence, and a scene of sexuality)

Official Website : Immortalsmovie.com

IMDB Rating : 6.8

Storyline : Where are the gods of Olympus when you need them? I ask on behalf of "Immortals," because mere mortals were apparently not able to create a movie that actually made sense. I realize that making "Immortals" immortal was way too much to ask, but frankly, just a shade more plausible, not to mention pleasurable, would have been nice.

 Now if beauty were enough to carry the day, then this 3-D stunner, with its star, Henry Cavill, looking like he was plucked out of a Caravaggio painting or the cover of Men's Health, would be fine as it is. With dark, soulful eyes and rippling abs, Cavill is magnetic as Theseus, the slave-hero of the film. In fact, few cleft chins since Robert Mitchum have had so much screen-grabbing potential. So dashing is he in those slave rags that it is easy to understand why the film's resident mystic — the Virgin Oracle Phaedra (Freida Pinto, draped in diaphanous robes that are remarkable for their reveals) — might consider giving up her, um, visions to be with him.

As the massive marketing campaign screams — this is a film from the people who brought you "300." Yes, but. "300" was more than the sum of its glorious graphic parts. It had classic bloodlines inside a terrific story, and director Zack Snyder made great use of both the highly stylized surface gloss and the substance.

"Immortals" not so much. Director Tarsem Singh, indeed shaping up to be a visual visionary ("The Fall," "The Cell"), has crafted a film that often looks like it was lifted frame by frame from one of those gorgeous coffee table books on Renaissance art. For a while, the graphic novel style is so spectacular — dusky villages carved into the sheerest of cliffs, endless stretches of desert where you can count every grain of sand, oil-slicked seas just dying to be roiled by a storm — that it is distraction enough.

But before you go floating off into the clouds with Zeus (Luke Evans), Athena (Isabel Lucas), Poseidon (Kellan Lutz) and the rest, here's the problem: the script. Its writers, Greek American brothers Charley and Vlas Parlapanides, have definitely been inspired by Greek mythology, because they seem inclined to reference all of it. Or most of it. To that overflowing pile, they add a few more legends of their own. What is lost is some sort of internal, unifying logic. Even the most illogical of imaginary worlds have that, or at least those that work.

Singh, working with the versatile director of photography Brendan Galvin ("Behind Enemy Lines" and the director's upcoming dark take on the Snow White fable, "Mirror Mirror") and an exceptional production/costume/effects crew, opens with a lingering shot of the magical box that imprisons the vicious Titans. They've been held in a kind of suspended state for who knows how many years. It's a very cool scene, like you've stumbled into a great archaeological dig, with the Titans all encrusted in sand, still standing at attention (the chains help). Their claim to fame is that if they're unleashed, they will kill all the gods and all the people too, so you best leave this box alone.

 But we all know what humans do when temptation stares us in the face — we bite the apple, we lift the lid. The guy most likely to do it here is King Hyperion, a despot in the making who sounds like Darth Vader but is actually played by a bearded, buffed and sweat-slicked Mickey Rourke, channeling a lifetime of leftover rage he has hanging around.

Hyperion is the one who will whip things to a frenzy as he schemes to unleash the Titans, find the Bow of Epirus (it's magic), rule the world and slaughter any human he runs into. Even more important, he's got all kinds of implements of torture, which he likes to employ. As does Singh.

The filmmaker has taken special care to choreograph pain in fierce fashion — ordinary 3-D bloodletting and sword fighting is really not enough. All the unimaginable ways to inflict a world of hurt are imagined here in frightful images that seem to rise right off the screen. What's missing is the emotion that might have lifted the film and us as well.

Meanwhile, Theseus has a lot on his plate, the meat-and-potatoes stuff required of any hero. As it happens, Cavill actually knows how to milk his superhero moments (which I'm sure has the upcoming "Man of Steel" folks breathing a sigh of relief). Meanwhile, his slave sidekick, Stavros (Stephen Dorff), gets all the funny lines, which he delivers quite deftly.

Lots more stuff keeps happening. But at some point, you will wonder — will this never end? Even the Gods weep at the answer to that one....



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Watch Happy Feet Two Online Free With Streaming Quality

Movie : Happy Feet Two

Release Date : November 18, 2011 (3D/2D theaters and IMAX 3D)

Studio : Warner Bros. Pictures

Director : George Miller

Screenwriter : George Miller, Gary Eck, Warren Coleman, Paul Livingston

Starring : Elijah Wood, Robin Williams, Hank Azaria

Genre : Action, Adventure, Family

MPAA Rating : PG (for some rude humor and mild peril)

Official Website : HappyFeetTwo.com

IMDB Rating : 6.0

Storyline : It's hard to resist dancing penguins, but "Happy Feet Two" may make you want to try. Though it features tens of thousands of Antarctic types toe-tapping their way across the screen, it doesn't have a clear idea of what else it wants them to do.

George Miller returns to direct and co-write the sequel to "Happy Feet," but the clean, focused story line of a penguin born to dance that won the first film the best animated feature Oscar in 2006 has not found its equal here.

Instead "Happy Feet Two" hopes the things it does well — like making all those penguins dance with as much precision as the Rockettes — will encourage audiences to overlook how random and haphazard its narrative is, the way it jolts along from one episode to the next without providing anything that convincingly ties the pieces together.

Perhaps sensing that this randomness is a problem, "Happy Feet Two" begins with a mission statement that sounds suspiciously like an apology for a lack of focus: "Everything in this world, no matter how big, no matter how small, is connected in ways we never expect."

Returning to the sequel from the first film is Mumble (voiced by Elijah Wood), the misunderstood penguin who danced when all the others sang. Now he and mate Gloria (Alecia Moore, otherwise known as Pink) are parents themselves, and Mumble has to deal with Erik (Ava Acres), a tiny son who has self-expression problems similar to his dad's.

Back as well is Ramon (Robin Williams), the amorously inclined Adélie penguin who has been spending time with Mumble and his fellow emperors. Fed up with his romantic prospects, he decides to return home, unaware that Erik and two pals are going to tag along for the ride.

Things back home, however, are not the way Ramon left them. Yes, the wacky, sweater-wearing Lovelace (Williams again) is still around, but the animal in charge is now a certain Sven, who by all appearances is that rare penguin who knows how to fly.

As voiced by the irrepressible Hank Azaria, Sven is this film's most inspired creation. He's a self-help guru who actually believes himself when he says things like, "If you want it, you must will it. If you will it, it will be yours." But as entertaining as Sven is, the film's plot hasn't come up with a character arc for him that is effective all the way through to the end.

If Sven is largely a success, the same can't be said about the other additions to the film's cast, a pair of krill named Will and Bill. Tired of being at the bottom of the food chain, these tiny bug-eyed crustaceans get delusions of grandeur and attempt to become predators, with results that are lamentable rather than amusing. Even casting Brad Pitt and Matt Damon in the roles doesn't help.

"Happy Feet Two's" main story strand has Mumble, who has left emperor land to retrieve his son, return only to find that the entire emperor colony has been cut off from the rest of the world by a wall of solid ice. The remainder of the film is taken up by various attempts to set everyone free, a rather repetitive endeavor.

 But even though "Happy Feet Two" is not the sequel of your dreams, it has more than Sven to offer as entertainment. For one thing, the franchise's eclectic taste in soundtrack music remains intact and includes such diverse items as TV's "Rawhide" theme, the Queen/David Bowie "Under Pressure," early rock gem "Papa Oom Mow Mow" and a penguin version of a beloved classic from Puccini's "Tosca."

Watching all those penguins dance does remain fun as well, and the film's expansive 3-D look creates dizzying Antarctic vistas, often filled with penguins spread out as far as the eye can see. But dazzling panoramas, no matter how impressive, are no substitute for the involving story "Happy Feet Two" has had to do without.



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