Watch Chico & Rita Online Free With Streaming Quality

Movie: Chico & Rita

Release Date: February 10, 2012 (NY)

Studio: Luma Films (GKIDS)

Director: Fernando Trueba, Tono Errando, Javier Mariscal

Screenwriter: Ignacio Martínez de Pisón, Fernando Trueba

Starring: Mario Guerra, Limara Meneses, Eman Xor Oña

Genre: Animation

Official Website: ChicoandRita.com

IMDB Rating: 7.1

Story: Chico and Rita is a Spanish animated movie, focusing on two deeply flawed, yet loveable, people and their chaotic relationship over a fifty-year period. Set in Havana, the film takes on the backdrop of the ‘40s jazz scene. Moving from Cuba to New York, via Las Vegas, Hollywood and Paris, Chico and Rita is an epic tale of love and heartbreak.

The animation style is tantamount to unique, and I cannot think of any worthwhile comparisons. The colours are vibrant and the drawings often intentionally crude (especially the backgrounds), but there is a strong element of realism to it. Where the visuals shine are the distant shots of cityscapes, along with the incidental shots during transition scenes. There are a fantastic spectacle and are genuinely impressive, there can be no doubting the vast amount of hours that went into this project. The animated lighting also looks great, and at times it is a pure feast for the eyes. While it would be nice for that to be a blanket statement, unfortunately it is not; the style isn’t as effective during close-ups, with the lack of small details pertaining the characters to display an absence of emotion. The colour palette is excellent, and the technique utilised puts this in the foreground. Hence there is also an element of style over realism, an observation rather than a criticism.

The whole film is extremely stylish from start to finish, and this is embodied by the music. The soundwork of the piece is probably its most important aspect, and that is not exclusively considering the jazz score, which is absolutely wonderful. The incidental sound is expertly done; from the waves lapping on the rocks outside a Cuban apartment to the hustling streets of New York, it contributes to making the experience far more engrossing.

The characters of the piece are thoroughly convincing, and it is a nice touch to include animated visions of many famous jazz musicians. The voice-work that drives them is perfect, with no week links amongst the cast. While the plot is relatively engaging, it never quite moves at a steady pace; sometimes it seems a little jumpy and overly quick, other times it can be a little dull. This is largely down to some sloppy editing, and they could’ve improved the film by a good margin if more care had been put into that particular stage of development.

Chico and Rita is a very good film, but it’s not quite a great one. Yes, the animation is at times striking, but I’m not sure it’s apt for an entire feature. The plot is compelling, but the ending, which I’m sure is supposed to be a happy one, feels more sad than intended. The film never quite strikes a good balance between realism and fantasy, usually jumping from one to the other in different scenes. However, there is more than enough here to make Chico and Rita a worthwhile cinema experience. The character’s flaws make them seem more human, the music is brilliant and there are a few breath taking visual instances that need to be seen on the big screen.

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Watch The Turin Horse Online Free With Streaming Quality

Movie: The Turin Horse

Release Date: February 10, 2012 (NY)

Studio: The Cinema Guild

Director: Bela Tarr, Agnes Hranitzky

Screenwriter: Bela Tarr, Laszlo Krasznahorkai

Starring: Janos Derzsi, Erika Bok, Mihaly Kormos, Risci

Genre: Drama

Official Website: CinemaGuild.com

IMDB Rating: 8.1

Story: In an alternate universe, a Turin Horse will become the name for a movie that turns out to have nothing to do with its title. Slow-cinema maestro Béla Tarr’s latest (last?) opens with a blank-screen voiceover relating the semi-apocryphal story of Nietzsche’s madness-inducing encounter with a mistreated carthorse, and declares that “of the horse, we know nothing”. Cut to a carthorse, trudging through a hellish swirl of mist. But this is not necessarily the same horse, we are clearly not in Italy, and the film soon lets the animal retreat to the background, in order to focus exclusively on the slow, hard, regular days of the old carter and his daughter. He has an apostle’s beard and a mop of grey curls, frequently backlight-haloed, and the use of only his left arm; she has a hard, handsome face, tight-mouthed and dead-eyed, beneath long wind-whipped hair; and they live a life of emptiness and hardship in a stone croft on a barren plain.

Long, slow takes are the order of the day, of course, although Tarr and DP Fred Kelemen rarely hold for long on an empty frame. The camera steadicam-glides around the couple’s activities over the course of six similar days, as they eat their unchanging meal of boiled potato and a pinch of salt, fetch water from the well, or simply gaze out of the window. The technical aspect of the film is truly marvelous, an almost pathological avoidance of the cut by movement and reframing that speaks wonders of the operators’ stamina and agility, and Kelemen’s complex, invisible lighting. With irresistible immediacy, one striking composition follows another, frequently in the same shot, in familiar dirty Tarr blacks and contrasty white. The camera calms down towards the end, as the pair’s already minimal energy diminishes, and winds up in the last section with two stunning images: the first, inexplicably moving, of the daughter staring ghost-like from the window as the camera zooms ever so slowly in; then finally, a fixed two-shot of the pair seated at the old oak table in Old Master lighting, abstracted from reality.

All the while, a ghastly wind storm rages outside. Its terrible howling tears across the soundtrack in parts, but is frequently replaced with a simple musical refrain, an AABC violin/cello theme played over and over against scraping strings and organ ostinato like some purgatorial devil’s dirge, repeated forever. Excitement comes halfway through in the form of a sudden neighbour, who tells them that the wind has blown the town away, that life is now “the most ghastly existence you can imagine” and that the great and noble are nowhere now to be found, having lain down before the acquisitive. The apocalyptic tone is hardly countered by the old man’s “that’s rubbish”. His gruff, needless antagonism returns when he chases of a band of “filthy bastard” gypsies who stop for water (we’re in Hungary, for sure); but they’re not so bad, paying for what they take with a book, from which the daughter reads haltingly: some religious tract that makes no sense to her and little to use. Needless to say there is no God in this world.

The horse swiftly (relative, in the context) gives up moving, and then eating. The well runs dry. They pack their belongings and leave, then inexplicably return, presumably for lack of point. The father stops eating. The lamps mysteriously go out – “what is this darkness?” the daughter asks. She stops eating. Although the horse is clearly not Nietzsche’s, the world of the film is the one he saw in a flash of depressive lucidity, as the legend would have it, a world of pointless, never-ending, self-perpetuating hardship and cruelty. Tarr’s vision of life is certainly nasty and brutish, though not necessarily short, and full of false endings before it finally sputters out like the lamp. We were fortunate enough to have Tarr himself to introduce the screening, and he described the film as ugly, boring, miserable and slow, which is perfectly right. He also says that this will be his farewell to film-making which, with such a hopeless frame of mind, may be just as well.

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Watch Perfect Sense Online Free With Streaming Quality

Movie: Perfect Sense

Release Date: February 10, 2012 (limited)

Studio: IFC Films

Director: David Mackenzie

Screenwriter: Kim Fupz Aakeson

Starring: Ewan McGregor, Eva Green, Connie Nielsen, Ewan Bremner, Stephen Dillane

Genre: Romance, Thriller

Official Website: Not Available

IMDB Rating: 7.1

Story: One thing to be said about Perfect Sense is that while it was not what I expected (in a good way), it is an original and beautifully crafted film.

Starring Ewan McGregor and Eva Green, the film follows scientist Susan (Green) working on finding a cure to a strange disease affecting the whole world. She meets Michael (McGregor), a talented chef working at a restaurant located below her apartment. The two of them seem to connect instantly on a level they haven’t been able to with other people before.

But with the entire world’s population affected by a strange disease that first depresses you then takes away your sense of smell, we are left wondering if this is only the beginning to the disease and at which point it will stop.

As the audience, we are told the story through Susan and Michael’s eyes. We see the evolution of the disease and how they experience this new world. It’s quite fascinating actually and will definitely make you think.

I was quite surprised by how the film was marketed versus what it actually is. From the trailer and official synopsis, you would be led to think it is a love story between Ewan McGregor and Eva Green’s characters. But that’s not really what it is at all, that’s only showing 50% of it. While the core of the story is about the love story, the film also is about this global pandemic and how people are affected by it.

Director David Mackenzie (Young Adam, Mister Foe) has crafted something beautiful here. He uses a very simple love story as the thread to guide us through something much more dramatic. Not only that, he translates parts of the disease using auditive and visual tools, which gives the viewer a sense of uneasiness and immersion into the world. It was quite hypnotizing, especially towards the end of the film.

Eva Green and Ewan McGregor both offer strong performances as their characters deal with the effects of the disease. It was a pleasure to watch them interact and go through a large spectrum of emotions.

Perfect Sense will make you think, but will also make you smile with its beautiful love story. There is a slow build but I wasn’t bored for one second. I absolutely recommend that you check it out, especially if the premise sounds like something you might enjoy. And if you’re not a fan of love stories, not to worry, it is definitely not your typical romance, but much more.

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Watch Star Wars: Episode I – The Phantom Menace 3D Online Free With Streaming Quality

Movie: Star Wars: Episode I – The Phantom Menace 3D

Release Date: February 10, 2012 (3D theaters)

Studio: 20th Century Fox

Director: George Lucas

Screenwriter: George Lucas

Starring: Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ian McDiarmid, Pernilla August, Ahmed Best, Anthony Daniels, Ray Park, Kenny Baker, Frank Oz

Genre: Action, Adventure, Sci-Fi

Official Website: StarWars.com

IMDB Rating: 6.4

Story: Set against the thrilling and exotic backdrop of a “galaxy far, far away,” Star Wars is perfectly suited to the immersive 3D theatrical experience, and ‘Episode I’ delivers some of the Saga’s most stunning and spectacular sequences – from the Naboo invasion to the Tatooine Podraces to the climactic lightsaber battle between Darth Maul and the Jedi.

Supervised by Industrial Light & Magic, the meticulous conversion is being done with utmost respect for the source material, and with a keen eye for both technological considerations and artistic intentions.

Last fall brought the news that George Lucas and 20th Century Fox had plans to re-release the entire Star Wars saga in 3D. Fast-forward to today and that threat promise has taken one more step forward to becoming true, as the 3D version of Star Wars: Episode I – The Phantom Menace has an official release date.

The Phantom Menace is now slated to return to theaters on February 10th, 2012 – more than fifteen years after the special edition of Star Wars: Episode IV – A New Hope was released in theaters, matter of fact.

All three chapters in Lucas’ Star Wars prequel trilogy feature a ton of digitally-created F/X, scenery, alien creatures, vehicles, etc…. and since computer-animated movies that are converted into 3D tend to look decent enough, the post-production conversion of The Phantom Menace should actually be okay as well.

The bigger issue is whether or not there are actually that many people who are willing to cough up the cash to see The Phantom Menace in 3D. It’s still by and large considered to be the weakest link in the Star Wars franchise (and considering fans’ feelings about the prequels in general, that’s saying something). Also, and this is more my opinion than anything else, the digital F/X in the film haven’t aged nearly as well as those in the original Star Wars trilogy – back when miniatures, matte paintings, and practical sets were all the rage.

On that note: sit down sometime and (if you dare) re-watch some of the footage from any one of the Star Wars prequels. Most of the time the camerawork is very sedentary, and there’s little in the way of creative movement or angles. Nearly every frame of those films are crammed full with computer-animated objects that distract from the fact that the camera is never really exploring these worlds, but instead just sitting back and admiring it all from a distance.

The Phantom Menace may end up looking really impressive in 3D up on the big screen when it arrives next year on February 10th. But do you really want to sit through this mess of a movie in a theater again?

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Watch Rampart Online Free With Streaming Quality

Movie: Rampart

Release Date: February 10, 2012 (limited)

Studio: Millennium Entertainment

Director: Oren Moverman

Screenwriter: James Ellroy

Starring: Woody Harrelson, Ben Foster, Robin Wright, Sigourney Weaver, Steve Buscemi, Anne Heche

Genre: Crime, Drama

Official Website: Rampartmovie.com

IMDB Rating: 6.0

Story: The last of the renegade cops, LAPD officer Dave Brown (Harrelson) is caught on tape “doing the people’s dirty work” and finds himself at the center of a vicious scandal. The days of being above the law are over. Now a poster boy for police corruption, Dave learns he’s been targeted by cop killers looking for revenge. Nothing is what it seems as Dave descends into the L.A. underworld and exacts his own brand of justice.

New images have gone online for Rampart, the new drama from The Messenger director Oren Moverman. The film stars Woody Harrelson as a corrupt cop and the story is set against the backdrop of the scandal involving the LAPD’s Rampart Division. Moverman wrote the script with acclaimed crime novelist James Ellroy (L.A. Confidential) The impressive cast also includes Sigourney Weaver, Robin Wright, Steve Buscemi, Cynthia Nixon, Ben Foster, Anne Heche, Ice Cube, and Ned Beatty.

Hit the jump to check out the images along with the first official synopsis for the film.

Images and synopsis via SierraAffinity [via ThePlaylist]. There’s currently no word on when the film might hit theaters. Last November there was speculation that we could be seeing it in 2011, but The Playlist believes that the film will premiere at Sundance, which is where The Messenger made its debut.

If Robert Altman had made a cop drama, it might have looked and sounded like Rampart. Nearly every scene in Oren Moverman's examination of LAPD officer Dave Brown's (Woody Harrelson) fall from grace is captured via overlapping dialogue, slow zooms, and measured pacing. Not only does this incredibly loose aesthetic challenge the traditionally controlled and slick conventions of the cop genre, it adds a certain visceral haziness that compliments Brown's own professional and personal immorality. Every move Dave makes, whether it's picking up women at a bar or harassing criminals on the street, feels infected with a long-gestating rot that has slowed his world down to a crawl. Except Dave is so arrogantly immersed in this tainted perspective that he deludes himself into thinking there's always another bureaucratic loophole he can escape through.

Shot in HD to maximize the visual flatness of its 1990s setting and cramped urban locations, Rampart envisions a neo-noir world completely defined by artificial layers and textures. Vibrant reds, oranges, blues litter the frame as Dave patrols the seediest corners of downtown Los Angeles, an area policed by the infamous Rampart division that, as a group, tries to wipe away allegations of misconduct and corruption. But if Dave's cavalier attitude is any indication, the stink of freewheeling police work has been smeared on the department's reputation for many years. More than anything, Moverman makes Rampart about Dave's resistance to admitting his culpability within this culture, a character flaw that Harrelson manages to physically convey through aggressive body movements and facial expressions.

Co-written by Moverman and iconic crime novelist James Ellroy, Rampart reveals the many facets of Dave's life, virtually every one of them hollowed out by compromise and arrogance. The typical "cop on the beat" moments are overshadowed by Dave's strange personal life, everything from the unconventional housing situation he shares with his ex-wives (Cynthia Nixon and Anne Heche) to the self-destructive tryst he experiences with a district attorney (Robin Wright). Later, when Dave purposefully kills a suspect during a botched robbery, the incurring investigation by an Internal Affairs officer (Ice Cube) almost seems secondary to the extreme sense of predetermined tragedy permeating through each scene. The extent of Dave's isolation is expressed when one colleague says, "You've dirtied us all up by default." The irony comes in knowing that Dave's actions, however damning, only represent a sliver of the corruption on display.

Aspects of the surreal eventually invade Rampart when Dave goes on a hallucinogenic bender late in the film. His insane experience inside a nightclub turns all sense of trusting perspective upside down through a barrage of jump cuts, strobe lights, and twisting camera shots that produces a sort of spasm in the narrative. Yet the entire sequence is another example of Dave descending into a fragile fantasy world created to ignore the blatant realities of his own failures and those of the institutions he represents. It's as if Moverman wants to traverse through the dark and similarly drugged-out territory of Abel Ferrara's Bad Lieutenant, if only for a flash, then return his lead character to the blinding sunlight of Southern California.

So is Rampart a chronicle of an individual tragedy or a collective one? While Moverman's film progresses down some fascinatingly digressive storylines that indict both Dave's personal Achilles' heel and that of department heads and high-ranking politicians he works for, Rampart continuously defies expectations within a genre universe that usually celebrates them wholeheartedly. Specific moments where plot points are supposed to be hashed out feel incomplete, ambiguous to the point of incoherence, while the character-driven exchanges between Dave and the various women who hate him are fully realized, allowed the space to convey the character's increasingly volatile bouts of emotional suffocation. In the end, Harrelson's brilliantly masochistic turn is almost completely internalized, except in the final moments when Dave finally realizes he's been paddling up shit's creek all along. Whether he truly cares or not is a scary thought left to linger in the high beams of oncoming L.A. traffic.

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Watch Journey 2: The Mysterious Island Online Free With Streaming Quality

Movie: Journey 2: The Mysterious Island

Release Date: February 10, 2012 (3D/2D theaters and IMAX)

Studio: New Line Cinema (Warner Bros. Pictures)

Director: Brad Peyton

Screenwriter: Brian Gunn, Mark Gunn

Starring: Dwayne Johnson, Michael Caine, Josh Hutcherson, Vanessa Hudgens, Luis Guzman, Kristen Davis

Genre: Adventure, Family

Official Website: TheMysteriousIsland.com

IMDB Rating: 6.4

Story: Put simply, "Journey 2: The Mysterious Island" is not that different from its predecessor. The basic premise for example actually uses the same exact sequence of events from start-to-finish (boy discovers a coded message, boy thinks it might be from a long lost relative and decides to go to the "fictional" place on which a legal guardian assists him, they find what they look for but soon find peril and they must escape or else). But here's the thing, "Journey 2: The Mysterious Island" does something that sequels rarely do and that is being better than its predecessor. Minus the "déjà vu-ish" story, everything else is bigger, faster, badder and funnier than the first one.

Sean Anderson (Josh Hutcherson) is caught by police escaping from a satellite research center. Luckily, his stepfather, Hank Parsons (Dwayne Johnson), saves him from going to jail. The next day, Sean reveals that he needed the satellite to receive a faint broadcast that contained a message with a bunch of indistinguishable words. Hank is able to solve the code which reveals the coordinates for a certain "Mysterious Island". Sean believes that his long lost grandfather was the one behind the transmission and that he has discovered the island. Sean and Hank set out for the island of Palau as the coordinates is nearest that location. In Palau, they board a private helicopter run by Gabato (Luis Guzman) and his daughter Kailani (Vanessa Hudgens). The four travel to the location but their helicopter is hit by a storm causing them to crash on the island. Eventually, the group meets Sean's grandfather (Michael Caine) but soon discover that they have a couple of days left before the island sinks into the bottom of the sea.

If there's one thing that "Journey 2: The Mysterious Island" does best is its non-stop pace. The film starts off in an instant - after the first five minutes or so, the adventure starts already and does not end until the credits roll. There's really no time to think and that is it's best asset as this is a film that really crosses the line from what's impossible and what's feasible. It's not about all about the action though and we have to say that the humor is another thing that defines this film's success. The tandem of Dwayne Johnson and Luis Guzman (with non-stop one-liners that are actually funny) perfectly caps off the feel-good aura this film exudes. To sum it all up, there's never a dull moment as the action, the humor or the combination of both is just a non-stop barrage from start-to-finish. On the acting department, everyone did a pretty swell job. The biggest surprise is Dwayne Johnson who does not only proves he is better than Brendan Frasier but he also does more than just act. As expected, the film was stunningly jaw-dropping especially in 3D. The first one did a good job but this one just blows that one away. There's really no reason not to love "Journey 2: The Mysterious Island". While its predecessor might have been too kiddie for some adults, the second foray is actually more mature and more attuned to adults. On top of that, this is a film that improved on the points that made the first film a hit and more.

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Watch The Vow Online Free With Streaming Quality

Movie: The Vow

Release Date: February 10, 2012

Studio: Screen Gems (Sony)

Director: Michael Sucsy

Screenwriter: Abby Kohn, Marc Silverstein, Jason Katims

Starring: Rachel McAdams, Channing Tatum, Sam Neill, Scott Speedman, Jessica Lange

Genre: Drama

Official Website: TheVow-movie.com

IMDB Rating: N/A

Story: Rachel McAdams and Channing Tatum team up for The Vow, an upcoming romantic drama movie to be directed by Michael Sucsy. The story revolves around a young newlywed couple recovering from a car accident that left one of them with severe memory loss. The film should be released sometime in 2011.

The Vow is actually based on the real-life story of New Mexico couple Kim and Krickitt Carpenter (they published a book, "The Vow: The Kim and Krickitt Carpenter Story")

The film is based on a true story about a young woman who loses all recent memory in a car accident and struggles to rebuild her identity while her husband tries to win her heart for the second time.

The co-writer of Valentine’s Day and He’s Just Not That Into You brings us amnesia chick flick, The Vow starring Channing Tatum and Rachel McAdams

We need to establish something. We, here at Movie Reviews, are movie fans. Big fans. We love movies, big, little, new, old. Movies? We’re very much pro them.

It felt necessary to make that clear before we post this new trailer for insipid, mawkish, unoriginal romantic drama The Vow, starring Channing “abs” Tatum and Rachel “She’s so much better than this” McAdams.

McAdams stars as a woman who wakes up from a coma with amnesia, and Channing Tatum as the husband who has to make her fall in love with him all over again. Really, that's the plot they've gone for.

Now, the last thing we want to do is come across sneery and snarky, but this doesn't look good, even if you can stomach sentiment by the bucketload.The plot arrives courtesy of that Regarding Margie episode of The Simpsons and countless dodgy daytime soaps. McAdams, for one, deserves better, and if she doesn't start turning down nonsense like this two words will haunt her career: Katherine, and Heigl.

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Watch Safe House Online Free With Streaming Quality

Movie: Safe House

Release Date: February 10, 2012

Studio: Universal Pictures

Director: Daniel Espinosa

Screenwriter: David Guggenheim

Starring: Denzel Washington, Ryan Reynolds, Brendan Gleeson, Sam Shepard, Vera Farmiga, Fares Fares, Robert Patrick, Nora Arnezeder, Liam Cunningham, Joel Kinnaman, Ruben Blades

Genre: Action, Thriller

Official Website: NoOneisSafe.com

IMDB Rating: 7.7

Story: Universal Pictures has released the first trailer, some photos and poster for CIA thriller Safe House.

The film tells the story of a dangerous CIA defector (Denzel Washington) who is forced to team with a rookie agent (Ryan Reynolds) when a CIA Safe House is attacked.

Oscar winner Denzel Washington and Ryan Reynolds star in the action-thriller Safe House. Washington plays the most dangerous renegade from the CIA, who comes back onto the grid after a decade on the run. When the South African Safe House he’s remanded to is attacked by mercenaries, a rookie operative (Reynolds) escapes with him. Now, the unlikely allies must stay alive long enough to uncover who wants them dead.

For the past year, Matt Weston has been frustrated by his inactive, backwater post in Cape Town. A “housekeeper” who aspires to be a full-fledged agent, the loyal company man has been waiting for an opportunity to prove himself. When the first and only occupant he’s had proves to be the most dangerous man he’s ever met, Weston readies for duty.

Tobin Frost has eluded capture for almost a decade. One of the best ops men that the CIA’s known, the ex-intelligence officer has given up assets and sold military intel to anyone with cash since he turned. From trading secrets to North Korea to aiding splinter cells, the damage he’s done to the U.S. is immeasurable. And he’s now back on the reservation with a secret.

As soon as Frost is brought in for debriefing, mercenaries come and tear apart Weston’s Safe House. Barely escaping, the unlikely partners must discover if their attackers have been sent by terrorists or someone on the inside who will kill anyone standing in the way. Now it’s up to Weston to figure out who he can trust before they’re both eliminated from the game.

Additional cast include Brendan Gleeson, Sam Shepar, Vera Farmiga, Fares Fares, Robert Patrick, Nora Arnezeder, Liam Cunningham, Joel Kinnaman and Ruben Blades.

Safe House, directed by Daniel Espinosa, hits theaters February 10th, 2012.

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Watch Windfall Online Free With Streaming Quality

Movie: Windfall

Release Date: February 3, 2012 (limited)

Studio: N/A

Director: Laura Israel

Screenwriter: N/A

Starring: Chuck Coggins

Genre: Documentary | Drama

Official Website: windfallthemovie.com

IMDB Rating: 5.2

Story: Veteran editor Laura Israel makes her feature documentary directing debut with Windfall, about a controversy that engulfed her community of Meredith, New York. A few years back, Israel and her neighbors were startled to learn that plans were afoot to install 40 400-foot-high wind turbines around the town—not in a vast open area, but on farmland, near homes. Suddenly, Meredith was divided between the local politicians and farmers who were touting the economic opportunities of wind power, and concerned citizens bearing Googled reports on the environmental impact of the sound, the shadow-flicker, and the turbines’ sheer size and weight. This is a complicated issue: Though many support renewable “green” energy, these big wind-farms tend to be managed by outside power companies that rarely have the best interests of towns like Meredith in mind when they’re negotiating deals and installing as many massive, whirring blades as their contractees will allow.

The story of a friendly town turned rancorous is dramatic, as the formerly polite, helpful Meredith residents turn rude and mistrustful, certain that their opponents are either naïve or corrupt. But Israel doesn’t build that story carefully enough. Windfall races forward, cutting rapidly from one talking-head interview to the next, then stringing them all together with quick shots of local color. Israel’s headlong approach doesn’t serve the political side of Windfall any better. The documentary isn’t big on hard data; instead, Israel allows the majority of her interviewees to deliver anecdotes, speculation, anti-corporate conspiracy theories, and just a few statistics, rebutted only by their equally riled-up neighbors or by industrial videos. Windfall is undeniably persuasive—and is likely advocating on the right side of the wind-farm issue—but the movie’s case relies more on emotional appeals and frightening images of giant machines than on real, objective number-crunching. And while that would be fine for the small, human story Windfall should be, the unbridled scare tactics cast too big a shadow over the agit-prop doc Israel ended up making.

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Watch W.E. Online Free With Streaming Quality

Movie: W.E.

Release Date: February 3, 2012 (limited)

Studio: The Weinstein Company

Director: Madonna

Screenwriter: Madonna, Alex Keshishian

Starring: Abbie Cornish, Oscar Isaac, James D'Arcy, Andrea Riseborough, Natalie Dormer, Richard Coyle, James Fox, Laurence Fox

Genre: Drama, Romance

Official Website: WE-movie.com

IMDB Rating: 4.4

Story: If TIFF approves my application, I’ll be making sure I get in to see the satire Butter. The movie is set in the competitive world of butter carving and the story parodies the 2008 Democratic Primary. Jennifer Garner plays an ambitious Midwestern woman whose philandering husband (Ty Burrell) previously won the title. Garner’s character believes the title is her but then she’s challenged by a teenage African-American girl (Yara Shahidi). The outstanding cast also features Hugh Jackman, Olivia Wilde, Kristen Schaal, Rob Corddry, Alicia Silverstone, and Ashley Greene. There’s also the first image from Madonna’s W.E. I don’t much care about that movie.

Set in the highly competitive world of championship butter carving, Butter blends social commentary, outrageous comedy and heartfelt drama in telling the story of the ambitious Laura Pickler (Jennifer Garner), the self-anointed First Lady of Butter Carving. Refusing to accept that her husband (Ty Burrell) wants to step down after his 15-year run as the “Iowa State Butter Carving Champion,” and therefore end the Pickler family’s reign in the spotlight, Laura takes a stab at the title herself. But her bid for glory is complicated when two unlikely contestants enter the race – one, her husband’s hard-living mistress (Olivia Wilde), and the other a 10-year-old foster child named Destiny (Yara Shahidi). Enlisting the help of her high school sweetheart, Boyd (Hugh Jackman), Laura will stop at nothing to be crowned champion, even if it means resorting to sabotage. Part political satire, part Capra-esque comedy, Butter is a story about what it means to win at all costs and against all odds.

W.E. is a romantic exploration of the mysterious connection across decades between two women confronting the consequences of desire. Caught in a loveless Manhattan marriage, abused and frustrated Wally (Abbie Cornish) obsesses over Wallis Simpson (Andrea Riseborough), the stylish American divorcee who captured the heart of Edward the VIII (James D’Arcy) who abdicated the throne as King of England. As the Duchess of Windsor, Wallis spends the rest of her life in the glare of celebrity exile. Inspired by the Duchess? determination to pursue love in the face of social exile, Wally escapes into the arms of another man (Oscar Isaac) whose love sets her free. Madonna and a world class team of collaborators present a passionate tale of the search for love and the meaning of happiness. W.E. (for Wallis and Edward, forever entwined in the love story of the 20th century) is a rich, cinematic portrayal of two strong women resolved to find romance.

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Watch Kill List Online Free With Streaming Quality

Movie: Kill List

Release Date: February 3, 2012 (NY, LA)

Studio: IFC Films

Director: Ben Wheatley

Screenwriter: Ben Wheatley, Amy Jump

Starring: Neil Maskell, Myanna Buring, Harry Simpson

Genre: Horror, Thriller

Official Website: IFCFilms.com

IMDB Rating: 6.3

Story: The list is simple. It’s a collection of moribund Britfilm genres, to be taken out back and savaged with a lump hammer. Begone dull, worthy kitchen sink dramas; take that, geezer gangster flicks. Ben Wheatley realises that for too long British audiences have sat in cosy complacency…

So here’s a movie where, in his words, “they’d have to think about what they were watching rather than let it just wash over them”.

In a banner year for British film, with impressive returns for Steve McQueen and Lynne Ramsay, and startling debuts from Paddy Considine, Richard Ayoade and Joe Cornish, Wheatley’s second feature might trump them all.

Not bad for a film that, like his debut, Down Terrace, trusts to a sharp blend of shabby, darkly humorous realism and curveball genre twists over mainstream appeal.

Kill List begins as a nouveau riche satire about Essex geezer Jay (Neil Maskell) and his glamorous Swedish wife Shel (MyAnna Buring). Yet what its director laughingly refers to as a “Mike Leigh film about the manners of the dinner table”, with its brittle arguments about jacuzzi repairs and shopping bills, soon morphs into stranger shapes: first a violent contract-killer thriller, and then something even more horrific.

Although the element of surprise is the film’s greatest asset, Wheatley is scrupulously honest about where he’s going. We begin with a strange, pagan symbol being carved into the screen – which is later repeated when a character carves it into the back of a mirror.

In an entertaining commentary, Wheatley’s co-writer and wife Amy Jump admits she always hated the opening, but her hubby’s instinct is spot-on. It suggests something surreal and uncanny, all the more so because of how it jars with the opening act’s deadpan drunken repartee and blazing shaky-cam rows.

Gradually, we realise that Jay’s faltering wealth is founded on a career as a gun-for-hire, which fell apart after an unexplained incident in Kiev. The kill list, brought to Jay by long-time shooting partner Gal (Michael Smiley), is his shot at sorting out his life, but it goes without saying that things don’t go according to plan.

This isn’t, say, Taken, where an emasculated hardman resurrects old skills en route towards redemption. Wheatley, as he puts it, prefers “poking at the idea that hitmen are like folk heroes”. As gamely played by Maskell, Jay is half psycho, half sad-sack. He’d be happy to remain a self-medicated wreck recounting past glories as bedside stories for his son, but given another chance, it’s not long before he’s going “off-list” in more ways than one.

One minute, Maskell is delivering a virtuoso comedic tirade against a bunch of God-botherers; the next, Jay’s getting busy with his hammer. What’s remarkable is how Wheatley’s editing is so tuned into Jay’s scrambled mindset, constantly mixing things up to catch us off-guard.Sometimes scene transitions fade to black, others are marked by abrupt, elliptical edits – in one shocking moment, there’s no cut at all where normally we’d expect one.

Then, when the killings start, the victims’ job titles suddenly flash up as captions despite no earlier hint of an episodic structure. In less talented hands, this randomness would resemble a wannabe dining on a smorgasbord of Kubrick, Tarantino and Noé. Here, it’s another tactic to screw with our preconceptions.

All the while, the puzzle of that opening symbol remains, the madness growing...until it explodes in a breathless final act of narrative suicide. As Wheatley recognises, the ending is the film’s “Marmite moment,” but insists, “it makes perfect sense to me”. As scripted, there was far more rationale for what happens, with one abandoned concept seeing Jay and Gal’s employers intent on taking out a rival faction.

But why, then, do Jay’s victims thank him when he kills them? It was Jump who, aptly, made that leap into something more inexplicable and disquieting, and Wheatley followed suit, reckoning “the exposition itself is just deathly dull”. Like the references to Kiev, or the shocking video that enrages Jay but whose images we never see, we’re required to fill in the blanks.

On one level, the denouement is very silly – but what Wheatley’s critics missed is that the Gothic insanity is the inevitable destination for Jay’s Godless ways. Noticeably, the names on the list (priest, librarian, M.P.) are traditional emblems of faith, knowledge and order, all now fallen from grace.

In their place, Wheatley’s “hero” is a metaphor for the moral vacuum of 21st-Century Britain, his life a perfect storm of hypocritical tabloid self-righteousness, irresponsible material greed and a bloodlust forged in the deserts of Iraq.

With nothing certain, no wonder the furies are multiplying. Wheatley’s own fury seems driven towards the denunciation of glib, glossy homegrown cinema. Towards the film’s harrowing end, we see an audience applauding the action with exactly the kind of smattered politeness usually reserved for a prestige Britpic like The King’s Speech.

The circumstances couldn’t be more different; despite their alphabetical adjacency, you won’t find many households with Kill List sitting alongside this year’s Oscar-hog on their DVD shelves. But for those who tick this off their viewing list, the echo of that applause – ironic, mocking and very sinister – is Wheatley’s final blow to the status quo.

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Watch The Innkeepers Online Free With Streaming Quality

Movie: The Innkeepers

Release Date: February 3, 2012 (limited)

Studio: Magnet Releasing (Magnolia Pictures)

Director: Ti West

Screenwriter: Ti West

Starring: Sara Paxton, Pat Healy, Kelly McGillis

Genre: Horror, Supernatural Thriller

Official Website: MagnetReleasing.com/TheInnkeepers

IMDB Rating: 5.7

Story: The heroes and heroines of old-fashioned ghost-story flicks resemble the average horror fan more closely than any other of the genre’s archetypes. Amateur ghostbusters like The Innkeepers’s Claire (Sara Paxton), for instance, troll spooky hallways and scour dank basements for thrills, which is to say without the real threat of physical harm. We go to movies like The Innkeepers, Ti West’s follow-up to his delightful old-school creep-out The House of the Devil, to explore and experience fear from a similarly safe remove. Like the average horror fan, Claire can be her own worst enemy; on both sides of the screen, much depends on the question of whether one can be scared to death.

Along with her laconic co-clerk Luke (Pat Healy), winsome, asthmatic Claire is the only staff on site at the Yankee Pedlar Inn during its closing weekend. A grand old establishment with a rumor-laden pedigree, the inn has only a few last guests to deal with, including a harried mother and son (Alison Bartlett and Jake Ryan) and a fading television actress named Leanne Rease-Jones (Kelly McGillis). The fact that a couple of low-ranking attendants have been left to close up the joint adds to the cavernous building’s feeling of abandonment. Like all haunted houses, the emptiness of this one poses a mournful and ominous question: Where did all the people go?

Luke and Claire have an idea of where at least one wound up. The legend of a bride who committed suicide on her wedding day and was left to rot in the inn’s basement fuels their idle, overtime chatter. Luke is working on a crude, paranormal activity-type web site and claims to have seen the undead bride once; Claire, bored and curious, marshals his electronic voice phenomena kit and pokes around for sound vibrations. The first two “chapters” pass congenially, as characters come and go and we’re played for a couple of cheap scares. Unlike Devil, which builds slowly to an almost excruciating peak of tension, The Innkeepers is dotted with dead-end sequences -- a YouTube prank, a bat in the attic -- that break up a sometimes sluggish pace but also promote a certain aimlessness in the narrative.

More so than in West’s previous film, which worked on its own steam right up until the end, The Innkeepers feels like a devoted horror fan’s attempt to reinvent a classic genre by sheer force of quality. Without a strong story to dance with, all of those fabulous tracking shots, lovingly uncanny art direction details and flickering shafts of light can make The Innkeepers feel more like an exercise in craft than a scary movie.

Still, there is pleasure in Paxton’s slightly daffy, tomboyish take on the final girl and in McGillis’s welcome, perfectly anomalous presence. Leanne turns out to be something of a ghost whisperer, and it’s fun watching McGillis sell some pretty fruity lines between pulls on her cigarette. Luke is an intermittent and oddly diffident player in what becomes Claire’s adventure, although they share a pivotal and terrifically frightening séance scene toward the end. He warns Claire that chasing spirits has serious side effects -- you’ll start seeing things everywhere you go, he says, you’ll warp your radar for what’s real and what’s not. It sounds like a statement of ambition for the best kind of ghost story, which is ultimately what The Innkeepers turns out to be.

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Watch Big Miracle Online Free With Streaming Quality

Movie: Big Miracle

Release Date: February 3, 2012

Studio: Universal Pictures

Director: Ken Kwapis

Screenwriter: Jack Amiel, Michael Begler

Starring: Drew Barrymore, John Krasinski, Kristen Bell, Dermot Mulroney, Tim Blake Nelson, Ted Danson

Genre: Adventure, Family

Official Website: EverybodyLovesWhales.com

IMDB Rating: N/A

Story: What makes you go to the theater to see a movie? Is it because you're a "movie buff" and you ALWAYS do it? Or does something inspire you as you watch the preview? Sometimes there's a movie that completely captures your heart and makes you run out to the theater the first day to see it. However, sometimes there comes a movie that completely captures your child's heart and, for me, that makes our family run out to the theater the first day to see it.

On February 3rd, Big Miracle will debut on big screens everywhere. It's an inspirational true story about the rescue of majestic gray whales in the Arctic Circle. My two youngest children saw the preview and, with empathy in their eyes, they said, "Mom. We HAVE to see this." So, alas we countdown the days until we can learn more about these endangered animals and how they inspired the world around them.

Inspired by the true story that captured the hearts of people across the world, the rescue adventure Big Miracle tells the amazing tale of a small town news reporter (John Krasinski) and an animal-loving volunteer (Drew Barrymore) who are joined by rival world superpowers to save a family of majestic gray whales trapped by rapidly forming ice in the Arctic Circle. Local newsman Adam Carlson (Krasinski) can’t wait to escape the northern tip of Alaska for a bigger market. But just when the story of his career breaks, the world comes chasing it, too. With an oil tycoon, heads of state and hungry journalists descending upon the frigid outpost, the one who worries Adam the most is Rachel Kramer (Barrymore). Not only is she an outspoken environmentalist, she’s also his ex-girlfriend. With time running out, Rachel and Adam must rally an unlikely coalition of Inuit natives, oil companies and Russian and American military to set aside their differences and free the whales. As the world’s attention turns to the top of the globe, saving these endangered animals becomes a shared cause for nations entrenched against one another and leads to a momentary thaw in the Cold War.

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Watch Chronicle Online Free With Streaming Quality

Movie: Chronicle

Release Date: February 3, 2012

Studio: 20th Century Fox

Director: Joshua Trank

Screenwriter: Max Landis, Joshua Trank

Starring: Dane DeHaan, Michael B. Jordan, Alex Russell, Michael Kelly

Genre: Drama, Sci-Fi

MPAA Rating: PG-13 (for intense action and violence, thematic material, some language, sexual content and teen drinking)

Official Website: https://www.facebook.com/Chronicle

IMDB Rating: N/A

Story: The superhero movie has had countless reboots and reinventions over the years, transitioning from light to campy to dark and then back again. The genre has been deconstructed by M. Night Shyamalan and turned into an art-form by Christopher Nolan, while in recent years it has become a staple of the summer movie season, with comic book adaptations dominating the multiplexes. But it's never been given the found footage treatment - until now that is.

Chronicle tells the story of three average kids whose investigation of a mysterious hole in the ground results in their gaining superpowers. It starts off with telekinesis, the guys levitating potato chips, Lego, baseballs and cuddly toys, and doing what any average teenage boy would do - using it to see up girls' skirts.

But as they hone their skills, so their powers increase, the trio developing the ability to destroy cars and buildings, and even learning how to fly. But - as we're regularly told - with great power comes great responsibility, and so the talented triumvirate introduce rules by which to live, including not using their powers in public, not talking about them, and most importantly, not using them on another human being.

Teenagers being teenagers however, and possessing all the angst and anger that goes with the territory, the heroic honeymoon period doesn't last long. Cracks quickly start to appear in their friendship, the rules are soon smashed to smithereens and the actions of one of their number turn increasingly dark and dangerous, with truly devastating consequences.

It's a story that's been told countless times, most recently in X-Men: First Class, but director Josh Trank has given the story his own original and utterly compelling spin. The script - which was written by Max Landis - is both smart and sophisticated, and features countless clever twists and turns.

Their story ingeniously toys with audience sympathies, blurring the line between protagonist and antagonist, and building up to a genuinely gripping finale that manages to be both visually and emotionally satisfying.

Trank fares less well with the found footage aspect of the film however, Chronicle suffering from the same problems that dog all efforts of its ilk; namely that the characters constantly - and often clumsily - have to explain why they are filming events rather than just living them.

It does create an interesting psychological barrier between our heroes and the world around them, but too often you are left wondering why they continue to shoot proceedings when downing tools and helping a friend in need would seem like a more natural course of action.

However, they do cleverly circumnavigate the problem in Chronicle's gripping second half, with one of the characters learning to levitate the camera, enabling him to effectively direct his own life, and thereby the film's final few scenes.

The shaky-cam concept also requires the cast to truly sell the conceit or risk it turning into a series of loosely linked YouTube clips. Mercifully, Chronicle succeeds on all acting fronts, most notably through a trio of star-making performances at its heart.

Michael B. Jordan is charisma personified as Steve, the smart, successful class president candidate whose life is further charmed by the arrival of the powers.

Alex Russell is likeably charming as Matt, a clumsy, philosophy-spouting pseudo-intellectual with a good heart and a wicked sense of humour.

And Dane DeHaan - who looks disconcertingly like a young Leonardo DiCaprio - is a revelation as Andrew, a troubled kid with a tough home-life, for whom the powers offer fleeting happiness and popularity before opening a door to something more sinister.

Their naturalistic performances - complemented by the consistently sharp script - mean that not only do you believe what they are going through, but you also really root for these guys, making Chronicle a film about friendship as much as it is about superpowers.

The result is a superhero movie that works on several levels, and one that really nails the 'gaining superpowers' concept. These kids aren't searching for truth or justice, they're just trying to get laid, and the film's early scenes are a thrilling celebration of self-discovery, no more so than when the guys first realise they can fly.

But acquiring super-powers doesn't necessarily mean you also develop a sound moral compass, and as the humour and joy slowly drains out of Chronicle, the film turns into a thought-provoking examination of the psychological problems that come with effectively becoming God.

So not only does Chronicle succeed in giving the superhero movie a found footage spin, but it also manages to bring something new to the sub-genre, resulting in a film that goes deeper than the average comic book adaptation, and heralds the arrival of genuinely exciting moviemaking talent in the shape of Josh Trank.

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Watch The Woman in Black Online Free With Streaming Quality

Movie: The Woman in Black

Release Date: February 3, 2012

Studio: CBS Films

Director: James Watkins

Screenwriter: Jane Goldman

Starring: Daniel Radcliffe, Ciaran Hinds, Liz White, Janet McTeer, Alisa Khazanova, Tim McMullan, Roger Allam, Daniel Cerqueira,

Genre: Horror

MPAA Rating: PG-13 (for thematic material and violence/disturbing images)

Official Website: WomaninBlack.com

IMDB Rating: N/A

Story: The Woman in Black is an effective 1983 horror novel by Susan Hill that was later turned into a hugely successful stage play that's been running in London's West End for more than 20 years. A big-budget movie version was therefore inevitable, and when it was announced that the UK's legendary Hammer Studios would back the project, with X-Men: First Class scribe Jane Goldman on writing duties, anticipation was sky-high.

Unfortunately, the resulting film is something of a disappointment, capturing the creepy atmosphere of book and play, but failing to nail the outright terror that made both forms so terrifying, and is ultimately let down by a wholly inadequate central performance.

The film revolves around hard-up lawyer Arthur Kipps, a single father who accepts a job in a remote northern village for which the word 'unwelcoming' could have been invented. Kipps is charged with the task of attending to the affairs of Alice Drablow, the recently deceased owner of Eel Marsh House.

But all is not well at the gothic pile, with the locals - hamming it up like extras from the League of Gentlemen - warning Kipps away with menacing looks and thinly veiled threats. But Arthur needs the money, and so soon finds himself at the mercy of Eel Marsh and the horrors therein.

Cue scene after scene of our hero exploring dusty rooms and creeping down dark passageways as he endeavours to investigate the terrible tragedy that has beset the village. Complicating matters, Arthur has reached something of a spiritual crossroads of his own following with the death of his wife, and so finds himself chasing shadows both literal and metaphorical in the house.

Spurred on by both grief and fear, Arthur begins to have visions of the mysterious 'Woman in Black,' at much the same time that children in the village start to disappear and die. With the locals believing Kipps to have brought a curse to their village, it's up to Arthur to uncover the secrets of Eel Marsh, and break the cycle of terror once and for all.

It's a demanding role, and one that the film effectively lives or dies upon, but sadly Daniel Radcliffe simply isn't up to the task. Much was expected of the young actor in his first major role following the conclusion of the Harry Potter saga, but here he simply looks out of his depth.

Kipps is a man with the weight of the world on his shoulders, but the former boy-wizard lacks the gravitas demanded of such a role, and remains resolutely unable to convey the sadness beneath his character's surface. Worse still, in spite of the hefty sideburns, he still looks like a child playing dress-up, a problem that's underlined during Radcliffe's horribly unconvincing scenes with his young son.

Director James Watkins - who oversaw effective hoodie-horror Eden Lake - does his best with the material, crafting a feature that genuinely looks and feels like a Hammer film of old. Watkins knows how to build tension, while his film is heavy on the symbolism, with sadness and despair dripping from every frame.

The director is aided in his efforts by Marco Beltrami's creepy score, and some stunning cinematography from Tim Maurice Jones; the English coast never looking more rainy or windswept, and Eel Marsh, gothic horror personified - all death, decomposition and decay.

The 'Woman' herself is also extremely effective, her movement obviously influenced by recent Japanese horrors like Ringu and The Grudge; her appearance sending a genuine shiver up the spine.

But their combined efforts can't rescue the film's finale, with The Woman in Black building to an emotional crescendo that's too obviously sign-posted, and concluding with a horrific set-piece that fails to pack the poignant punch that it's so clearly striving for.

Last year's The Awakening - which covered similar territory - also suffered from a somewhat botched ending, but the strength of what came before, combined with some truly spectacular performances, made that journey worthwhile.

Here, however, the viewer is left with little more than a pale imitation of its stage equaivalent, The Woman in Black working as a disturbing gothic fever dream, but failing to fully terrify as a classic ghost story should.

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